The following section from Denis de Rougemont’s book Love In The Western World discusses the breakdown of stable relationships in America and the Western world due to the influences of romantic love.
romantic love
William Of Aquitaine: The First Simp
By Paul Elam
If you’ve been an attentive follower of my work, particularly the collaborative efforts with Peter Wright, you know that we’ve explored the historical roots of gynocentrism and, just as importantly, the origins of the romantic model of pair bonding and marriage. We’ve written about Queen Eleanor of Aquitaine and her daughter Marie, who instituted a sex-relation model based on men idealizing women and being shamed into serving them. That model, once referred to as courtly love, was spread with the help of commissioned troubadours, reinforced with their love stories, romantic songs, and poetry. And as we can plainly see in modern times, electronic media continues that tradition in full force on a worldwide platform. Now operating under the heading of romantic love, we can describe it with a more modern and accurate turn of phrase; Romantic love is the practice of males simping to narcissistic women.
Eleanor and her daughter were the first to popularize this practice, however the original impetus came from Eleanor’s grandfather William IX Duke of Aquitaine (l. 1071-1127 CE), who is considered the world’s first troubadour – a man who wrote effusive, gushing poetry, expressing love for women in worshipful stanzas. He took delight in performing music and song, serenading women, and feeding their narcissistic hunger. William’s gynocentrism was so exaggerated, in fact, that he had a picture of his naked mistress painted on his shield, claiming that he was glad to bear her image in battle as she had borne him in bed.
So, it is clear. William IX was patient zero in the romantic chivalry virus that has since infected the world. We find no historical example of this kind unbridled gynocentrism in a man of prominence that predates him. All of this is understood in academic circles, but little known outside of them. William M. Reddy, Professor of History and Cultural Anthropology at Duke University, describes William’s role in the tradition as follows:
The genre of the troubadour song, and with it the basic elements of courtly love, seems to have arisen full-blown in his mind, ready to be imitated and elaborated by his many enthusiastic followers.
The lyrics of ten songs by William IX have survived. They form a curious series. Four are recognizably troubadour love songs, offering, in Reto Bezzola’s words, “an entirely new conception of woman and of love, new not only for the count of Poitou, but for the entire world.”1
While understandable that women would have embraced such a model in order to obtain material and narcissistic gratifications from men, it’s more perplexing that a powerful man did so when he could have had any woman at any time, by simply wiggling his finger. How strange that his chosen path instilled a brand of pathetic sycophancy in contemporary and future men, effectively rendering him a traitor to his own sex.
And indeed, do we not see this on full display in modern times? How many powerful men with high sexual market value have you seen engaging in sappy public fawning over women, gratuitously feeding their egos as a kind of twisted performance art?
And how many men lend silent complicity to this game, following William’s traitorous ways? Recently, there was a televised debate of Republican presidential hopefuls. Nikki Haley, the only woman on the stage alongside six very powerful, influential men, interrupted the entire field at one point and blurted out, “If you want something said, ask a man. If you want something done, ask a woman.” The remark, a reference to her book of the same title, was met with applause by the audience and sheepish silence by the allegedly powerful men on stage. Now, even the most cursory look at modern civilization, where literally nothing is built or maintained by women, informs you that what Haley said is complete bullshit. That, however, didn’t motivate a single man onstage to say a single corrective word. It was a telling microcosm of what society has become under the romantic model, and proof that William the Simp’s infectious ideas took root and flourished.
The court of William IX at Poitou, considered the center of culture at that time, was filled with song, a culture of courtly love, and affluence. Aquitaine was the richest duchy in the south of France.2 Eleanor was raised in this court where she would watch the spectacle of courtly love and its requisite worship of women play out every day of her childhood. Apparently, Eleanor warmed very quickly to the sight of obsequious men shamelessly competing for the approval of women. She would later elaborate and bring that vision to the entire world when she became Queen of both France and England.
Has there ever a greater traitor to the collective male sex than William? He’s brought simping to the world and set the bar high on its practice. His little fetish has now spread to become more popular than the gospel of Jesus. More romantic love novels are sold each year than are copies of the Bible. In fact, just one Texan author alone sold 3 million more copies of her romance novel in 2022 than copies of the Bible in the same year. Let that sink in.3
William’s story is instructive for how badly men can screw up, and that brings us to similar behaviours we see in men in the here and now. Should we really blame women for the rise of romantic chivalry? Is female narcissism the real culprit? Perhaps feminism? Certainly there’s cause to point at those things, though diligence compels us to also look askance at men who swallowed the romantic narrative with little to no resistance. Fathers, husbands, male lovers all share in the blame.
And of course, blaming the source only gets you so far. Ultimately, we settled on the idea that William the Simp is the red pill man’s greatest object lesson. In a way he’s our best friend. The guy you learn what not to do from. After all, to William he was striking out into new territory: women had never been so elevated, so overblown before in any of recorded history. He was a powerful guy with a masochistic submission fantasy. Women jumped on that and rode it like a sybian sex aid.
But that’s the good part. If you’re a red pill guy here for your dose of content, you are also striking out into new territory. You’re doing something unheard of to most men until recent times. The path you’ve chosen won’t please women, and it won’t sell near as well as kissing women’s asses, but there’s a major silver lining to that. The past thousand years of simping stops with you.
References:
[1] The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, 900-1200 CE.
[2] Eleanor of Aquitaine, in New World Encyclopedia.
[3] Author Colleen Hoover went from tending cows to writing bestsellers.
Challenging The Claim That Romantic Love is Universal: Excerpt from William Reddy’s The Making Of Romantic Love
The following excerpt is from William Reddy’s The Making of Romantic Love, elaborating on the problem of conflating romantic love with more universal forms of love. – PW
* * *
The Anthropology of Romantic Love
The English word love can mean so many different things that, by convention, one adds the word “romantic” to distinguish those types of love that include a sexual component from all other types of love. This is the sense of “romantic love” deployed by William Jankowiak and Edward Fischer in a widely cited study published in 1992.1 The authors presented evidence that romantic love was present in 147 out of 166 cultures, or 88.5 percent. Their definition of romantic love was very broad. Evidence of any one of five criteria was regarded as sufficient: (1) accounts of personal anguish and longing, (2) love songs or folklore “that highlight the motivations behind romantic involvement,” (3) elopements due to mutual affection, (4) native accounts of passionate love, and (5) ethnographers’ affirmations.
The authors believed their findings disproved a view expressed by a number of scholars that romantic love was found only in modern individualistic societies. The evidence, they concluded, strongly supported the universal occurrence of romantic love. Jankowiak subsequently edited an anthology of essays by ethnographers presenting evidence for the existence of romantic love in a variety of cultural settings from West Africa to Polynesia.2
In a 1998 essay, Charles Lindholm rejected Jankowiak and Fischer’s conclusion, however, on the grounds that their definition of romantic love lacked sociological and cultural specificity.3 […] Lindholm’s observations strongly indicate the need for a more nuanced vocabulary. After all, his objection to Jankowiak and Fischer’s conclusions may be the result of a terminological confusion. Jankowiak and Fischer cast the widest possible net that the term “romantic love” permits.
In this study, the term “longing for association” will be used to refer to that wide net that Jankowiak and Fischer cast, and the term “romantic love” will be reserved to refer to those forms of the longing for association that have emerged in Western and Western-influenced cultural settings where one or another of the historical versions of desire-as-appetite is accepted as common sense.
To illustrate the importance of this distinction, consider a case mentioned by Leonard Plotinicov in the 1995 anthology edited by William Jankowiak. Plotinicov reports on a Nigerian informant who became fascinated, even obsessed with his third wife the moment he saw her. Although he already had two wives, he said, “I told her I wanted to marry her. She said she had nothing to say about that, and directed me to her parents.” He immediately went to negotiate with the parents and soon married her.4 Whatever this man’s emotion was, to equate it with “romantic love” as practiced in certain Western settings is to ignore the centrality of reciprocal feeling and of exclusivity in Western norms for love partnerships.
References:
[1]. William R. Jankowiak and Edward F. Fischer, “A Cross-Cultural Perspective on Romantic Love,” Ethnology 31 (1992): 149–55.
[2]. William R. Jankowiak, ed., Romantic Passion: A Universal Experience? (New York: Columbia University Press, 1995).
[3]. Charles Lindholm, “Love and Structure,” Theory, Culture & Society 15 (1998): 243–63.
[4]. Leonard Plotinicov, “Love, Lust and Found in Nigeria,” in Romantic Passion: A Universal Experience? ed. William Jankowiak (New York: Columbia University Press, 1995), 128–40, quote from p. 134.
See also: A Brief Commentary On Jankowiak & Fischer’s Misuse Of The Term Romantic Love
Courtly and Romantic love – by Lester F. Ward (1903)
Below is a summary of the rise of romantic love by Lester F Ward, an American botanist, paleontologist and sociologist. For the full text version of Ward’s commentary on romantic love see here. – PW
* * *
The appearance in the most advanced races of a derivative form of natural love is known as romantic love. It is a comparatively modern product, and is not universal among highly assimilated races. In fact, I am convinced that it is practically confined to what is generally understood as the Aryan race, or, at most, to the so-called Europeans, whether actually in Europe or whether in Australia, America, India, or any other part of the globe. Further, it did not appear in a perceptible form even in that ethnic stock until some time during the Middle Ages. Although I have held this opinion much longer, I first expressed it in 1896.1 It is curious that since that time two books have appeared devoted in whole or in part to sustaining this view..2 There is certainly no sign of the derivative sentiment among savages. Monteiro, speaking of the polygamous peoples of Western Africa, says: –
The negro knows not love, affection, or jealousy. … In all the long years I have been in Africa I have never seen a negro manifest the least tenderness for or to a negress. … I have never seen a negro put his arm round a woman’s waist, or give or receive any caress whatever that would indicate the slightest loving regard or affection on either side. They have no words or expressions in their language indicative of affection or love.3
Lichtenstein4 says of the Koossas: “To the feeling of a chaste tender passion, founded on reciprocal esteem, and an union of heart and sentiment, they seem entire strangers.” Eyre reports the same general condition of things among the natives of Australia,5 and it would not be difficult to find statements to the same effect relative to savage and barbaric races in all countries where they have been made the subject of critical study. Certainly all the romances of such races that have been written do but reflect the sentiments of their writers, and are worthless from any scientific point of view. This is probably also the case for stories whose plot is laid in Asia, even in India, and the Chinese and Japanese seem to have none of the romantic ideas of the West; otherwise female virtue would not be a relative term, as it is in those countries. This much will probably be admitted by all who understand what I mean by romantic love.
The point of dispute is therefore apparently narrowed down to the question whether the Ancient Greeks and Romans had developed this sentiment. I would maintain the negative of this question. If I have read my Homer, Æschylus, Virgil, and Horace to any purpose they do not reveal the existence in Ancient Greece and Rome of the sentiment of romantic love. If it be said that they contain the rudiments of it and foreshadow it to some extent I shall not dispute this, but natural love everywhere does this, and that is therefore not the question.
The only place where one finds clear indications of the sentiment is in such books as “Quo Vadis,” which cannot free themselves from such anachronisms. I would therefore adhere to the statement made in 1896, when I said, “Brilliant as were the intellectual achievements of the Greeks and Romans, and refined as were many of their moral and esthetic perceptions, nothing in their literature conclusively proves that love with them meant more than the natural demands of the sexual instinct under the control of strong character and high intelligence. The romantic element of man’s nature had not yet been developed.”
The Greeks, of course, distinguished several kinds of love, and by different words (eros, agape, philia), but only one of these is sexual at all. For eros they often used ‘Aphrodite’. They also expressed certain degrees and qualities in these by adjectives, e.g., pandemic. Some modern writers place the adjective heavenly over against pandemic, as indicating that they recognized a sublimated, heavenly, or spiritual form of sexual love, but I have not found this in classic Greek. Neither do I find any other to the Latin Venus vulgivaga. But whether such softened expressions are really to be found in classic Greek and Latin authors or not, the fact that they are so rare sufficiently indicates that the conceptions they convey could not have been current in the Greek and Roman mind, and must have been confined to a few rare natures.
Romantic love is therefore not only confined to the historic races, those mentioned in Chapter III as representing the accumulated energies of all the past and the highest human achievement, but it is limited to the last nine or ten centuries of the history of those races. It bean to manifest itself some time in the eleventh century of the Christian era, and was closely connected with the origin of chivalry under the feudal system. Guizot has given us perhaps the best presentation of that institution,6 and from this it is easy to see how the conditions favored its development.
In the first place the constant and prolonged absenteeism of the lords and knights, often with most of their retainers, from the castle left the women practically in charge of affairs and conferred upon them a power and dignity never before possessed. In the second place the separation of most of the men for such long periods, coupled with the sense of honor that their knighthood and military career gave rise to, caused them to assume the rôle of applicants for the favor of the women, which they could not always immediately attain as when women were forcibly seized by any one that chanced to find them.
These conditions produced a mutual sense on the part of both sexes of the need of each other, coupled with prolonged deprivation on the part of both of that satisfaction. The men, thus seeking the women, naturally became chivalrous toward them. The solitary life of women of high rank made them somewhat a prey to the lusts of men of low degree, and the knights assumed the rôle of protecting them from all dangers. Moral and Christian sentiments also played a part, and we find among the provisions of the oath that every chevalier must make the following solemn vows: –
To maintain the just rights of the weak, as of widows, orphans, and young women. If called upon to conduct a lady or a girl to any place, to wait upon her, to protect her, and to save her from all danger and every offense, or perish in the attempt. Never to do violence to ladies or young women, even though won by their arms, without their will and consent.
Such an oath, made a universal point of honor, any breach of which would be an everlasting disgrace, and be punished severely by the order of knighthood to which they belonged, could not fail to produce a powerful civilizing effect upon the semi-barbaric men of that age. The whole proceeding must have also given to women a far greater independence and higher standing than they had ever before enjoyed since the days of gynæcocracy in the protosocial stage.
Out of this condition of things there arose a special class of poets who wrote lyrics wholly different from the erotic songs of antiquity that go by that name. These poets were called troubadours, and some of them wandered from place to place singing the praises of the great court ladies, and still further inflaming the new passion, which was relatively pure, and contented itself with an association of men with women while conserving the honor and virtue of the latter. This, of course, was a passing phase and somewhat local, being mainly confined to southern France and parts of Spain.
It degenerated, as did the whole institution of chivalry, and by the end of the thirteenth century nothing was left of either but the ridiculous nonsense that Cervantes found surviving into his time, and which he so happily portrayed in Don Quixote. But chivalry had left its impress upon the world, and while Condorcet and Comte exaggerated certain aspects of it, no one has pointed out its greatest service in grafting romantic love upon natural love, which until then had been supreme.
But it would be easy to ascribe too great a rôle, even here, to chivalry. The truth is not all told until chivalry is understood as an effect as well as a cause. Whatever may be said of the Middle Ages as tending to suppress the natural flow of intellectual activities, there can be no doubt that they were highly favorable to the development of emotional life. The intense religious fervor that burned in its cloisters for so many centuries served to create centers of feeling, and to increase the sensibility of all those nerve plexuses that constitute the true organs of emotion.
Whatever may be the physiological changes necessary to intensify the inner feelings, corresponding to the multiplication and diversification of the neurons of the brain by which the intellect is perfected, such changes went on, until the men and women of the eleventh century found themselves endowed with far higher moral organizations than those of the ancient Greeks and Romans. They had been all this time using their emotional faculties as they never had been used before, and the Lamarckian principle of increase through use is as true of those faculties as it is of external muscles and organs. It is true of the brain, too, and when educationalists wake up to this truth the only solid basis for scientific education will have been discovered. But without a preparation in this latent growth of the emotional faculties neither chivalry nor romantic love could have made its appearance.
The crusades, contemporary to a great extent with chivalry, and due also to the surplus emotion, taking here a religious course, became also a joint cause in the development not only of romantic love but also of many other lofty attributes, both ethical and intellectual. They failed to save the holy city, but they gained a far greater victory than that would have been in rationalizing, moralizing, and socializing Europe. Any one who thinks they were a failure has only to read Guizot’s masterly summing up of their influence.7
Romantic love was due primarily to the greater equality and independence of woman. She reacquired to some extent her long-lost power of selection, and began to apply to men certain tests of fitness. Romantic love therefore marks the first step toward the resumption by woman of her natural scepter which she yielded to the superior physical force of man at the beginning of the androcratic period. It involves a certain degree of female selection or gyneclexis, and no longer permitted man to seize but compelled him to sue.
_______________________________
REFERENCES:
1) International Journal of Ethics, Vol. VI, July, 1896, p. 453.
2) “Antimachus of Colophon and the Position of Women in Greek Poetry,” by E. F. M. Benecke, London, 1896. “Primitive Love and Love Stories,” by Henry T. Finck, New York, 1899.
3) “Angola and the River Congo,” by Joachim John Monteiro. In two volumes. London, 1875, Vol. I, pp. 242-243.
4) “Travels in Southern Africa,” in the years 1803, 1804, 1805, and 1806, by Henry Lichtenstein, English translation, Dublin, 1812, p. 261.
5) Journals, etc., Vol. II, p. 321.
6) “Histoire de la Civilisation en France depuis la chute de I’Empire Romain,” par M. Guizot, 3e éd., Vol. III, Paris, 1840, Sixième Leçon, pp. 351-382.
7) “Histoire générale de Ia Civilisation en Europe depuis la chute de I’Empire Romain,” par M. Guizot, 4e éd., Paris, 1840, Huitième Leçon, pp. 231-257.
Arranged Marriages and the Rise of Romantic Love
In this video Paul Elam looks at the tradition of arranged marriage, while contrasting it to the false sense of superiority Westerners ascribe to relationships based on ‘romantic love.’
Early mentions of the phrase “Romantic love” in English literature
Romance (n.)
c. 1300, romaunce, “a story, written or recited, in verse, telling of the adventures of a knight, hero, etc.,” often one designed principally for entertainment, from Old French romanz “verse narrative.” This sense obviously included the love aspect of adventures; Lancelot and Guinivere, Tristan and Iseult, etc.
c. 1600s romaunce or romance narrowed to “a love story, the class of literature consisting of love stories and romantic fiction.”
c. 1700 extended as ‘romantic love.’
The meaning of the phrase romantic love is a tangled one, however some of the first uses of it in English can be traced back to around 1700 when it was coined to refer to Don Quixote and his adventures in chivalric love. Suffice to say the medieval trope is there at the beginnings of this English phrase. Below are some early examples (and descriptions) of romantic love in English literature. Note the continuity of courtly love themes from the Middle Ages such as belief in the purity of women and their moral elevation above men, along with male supplication, chivalry, long-suffering, and of the ultimate extravagance of love – PW
1700:
“Many men being still of the opinion that the wonderful declaration of Spanish bravery and greatness in this lost century may be attributed very much to his carrying the jest too far, by not only ridiculing romantic love and errantry, but by laughing them also out of their honour and courage.” [The History of the Renown’d Don Quixote de la Mancha, 1700]
1720:
“And do you think, said his father changing his tone, I shall have the complacence to approve this romantic love of yours…” [A Select Collection of Novels: Don Carlos]
1737:
“Farewell, farewell forever. She left me, with how much concern upon my heart, as it was beyond what I ever felt, it is beyond what I can ever express. Tho’ I was assur’d her reproach was unjust, yet from the principles of affection that gave occasion to it, it affected me. I struggled long between romantic love and prudent conduct: one day I resolv’d to fling myself at her feet the next, and give a proof of my love by ruining myself in marriage ; but the next I thought it better to see her Father again, and strive if…” [The London Magazine; Or, Gentleman’s Monthly Intelligencer, 1737]
1741:
“But I think the tragedy may receive a wonderful force, should its authors, without minding that giddy Romantic Love which makes such havoc in their plays, follow only the true philosophic Ideas of antiquity.” [An historical and critical account of the theatres in Europe, Luigi Riccoboni – Printed for T. Waller, 1741]
1742:
“And where’s the diff’rence twixt old age,
and youth worn out in its first stage,
No longer to apologize,
ye husband’s aged, rich and wise,
Dread twice to court the nuptial state,
and from the sequel mark your fate,
Ye Quixotes in romantic love,
Platonic cuckoldom improve.”
[A Wife and No Wife: the Mad Gallant, an Humorous Tale of Lunacy, Love and Cuckoldom]
1749:
“This novel is altered from one published in the year 1762 The Author, perceiving many material defects in the original work, particularly that the story was too simple to be very interesting, too concise to admit of much exemplification of character, and too much in the usual strain of romantic love.” [The Monthly Review, Volume 53, Ralph Griffiths, George Edward Griffiths, 1749]
1761:
“There is no resisting the impetuosity of romantic love. Like enthusiasm it breaks through all the restraints of nature and custom and enables, as well as animates its votaries, to execute all its extravagant suggestions ” [The World – by Adam Fitz-Adam, by Edward Moore, publishe by R. and J Dodsley 1761]
1773:
“The adventures of the Spanish knight [Don Quixote] were written to expose the absurdities of romantic chivalry, so those of the English heroine were designed to ridicule romantic love, and to show the tendency that books of knight-errantry have to turn the heads of their female readers.” [The Critical Review, Or, Annals of Literature, Volume 35, W. Simpkin and R. Marshall, 1773]
1776:
“Reading books of extravagant poetry raises corresponding doubt’s in the mind as they paint all the passions immoderate. Tragedies, such as they frequently are; books of romantic love, and which is fifty times worse, books of romantic intrigues, all tend to disturb the breast of the tender fair one.” [The Lady’s Magazine; Or, Entertaining Companion for the Fair Sex, Appropriated Solely to Their Use and Amusement, Volume 7, G. Robinson, 1776]
1777:
“Romantic love seems to be almost peculiar to the latter ages. This passion may perhaps be traced up to that spirit of courtesy and adventure which arose from circumstances peculiar to feudal government, distinguished all the institutions of chivalry, gave birth and form to the old romance, and consequently to the new, and to this day influences in a perceptible degree the customs and matters of Europe.” [Essays on the Nature and Immutability of Truth, 1777]
1777:
“In this correspondence the two friends encourage each other in the [……] notions imaginable. They represent romantic love as the great important business of human life, and describe all the other concerns of it as too low and paltry to merit the attention of such elevated beings, and fit only to employ the daughter of the plodding vulgar.” [The Universal Magazine of Knowledge and Pleasure, Pub. for J. Hinton, 1777]
1787:
“The romantic love, peculiar to the ages of chivalry, was readily united with the high sentiments of military honour, and seem to have promoted each other.” [An Historical View of the English Government From the Settlement of the Saxons in Britain to the Accession of the House of Stewart]
1787:
“The customs of duelling, and the peculiar notions of honour, which have so long prevailed in the modern nations of Europe, appear to have arisen from the same circumstances that produced feudal institutions: That same institution produced the romantic love and gallantry, by which the age of chivalry was no less distinguished…” [The Critical Review, Or, Annals of Literature, Volume 63, 1787]
1798:
“I readily grant that in former times this veneration for personal purity was carried to an extravagant height, and that several very ridiculous fancies and customs arose from this. Romantic love and chivalry are strong instances of the strange vagaries of our imagination, when carried along by this enthusiastic admiration for female purity; and so unnatural and forced, that they could only be temporary fashions. But I believe that, for all their ridicule, it would be a happy nation where this was the general creed and practice.” [Proofs of a Conspiracy against all the Religions and Governments of Europe, by John Robison, Philadelphia, 1798]