How The Dowry System Checks Hypergamy

The following paper by Shah Mirza was first published in July 2026 in New Male Studies Journal.  

Mirza, S. ‘How The Dowry System Checks Hypergamy,’ in New Male Studies An International Journal, ISSN 1839-7816 ~ Vol 14, Issue 1, 2026, Pp. 24–49, 2026 Australian Institute Of Male Health And Studies

5 Reasons Not to Center Your Life Around Romantic Love

I had intended for this article to come out close to Valentine’s Day this year. After all, it was originally intended as a rebuttal against Evie Magazine’s article  ‘The Case for Centering Your Life Around Romantic Love

I don’t mind talking about the subject of Romantic love months after Valentine’s Day because frankly, the subject need not be limited to that day. We have critiqued the Romantic model for great reason and the relevance of the subject is year-round. I have no qualms about completing these thoughts at this time of year.

While this is not a step-by-step takedown of the article itself, some context is clearly required. If one can see the tag line for the article by Jaimee Marshall, it reads: “That our greatest novels, most enduring works of art, most popular songs, and most affecting films overwhelmingly center around themes of romantic love is telling.”

Amounting to nothing much more than “It’s in our media and recent history, therefore it is right”, it sums up the gist of the article. Okay, if you want more, here are some gimmies.

“We all knew that those who vocally ‘hated’ Valentine’s Day really just meant they hated spending it alone and resented everyone who got to partake in the festivities with a chivalrous, thoughtful lover.”

A hasty summarization alleging that there are no legitimate critiques on the idea of the holiday (Yes, I know it’s not actually a holiday but judging by the pious and worshipful attitudes of its celebrators, is it not practically a “holiday”?) And, the allegation that men are lonely and bitter because they ain’t got no woman. Seems like projection, since these women appear to be constantly bitter at men deciding not to let women be the center of their lives.

And that’s what the title of the article, ‘The Case for Centering Your Life Around Romantic Love’, means in the end, doesn’t it? It reads, ‘The Case for Centering Your Life Around Women’.

The article tries to sound nuanced, as follows:

“Since children are dependent on their parents for survival, some form of sustained pair bonding is clearly essential, though (Richard S.) Schwartz says there’s no reason to think it must be romantic. You could imagine, and indeed there is precedent, for a sort of kin-based, communal structure to raising children that gets the job done without monogamous romantic love. However, romantic love’s persistence across cultures suggests it’s a core feature of human psychology, not an incidental cultural invention.”

I promise this will be the last of the Evie article, but referring to “renowned” biological anthropologist Helen Fisher:

“…one of the world’s leading experts on the neuroscience of romantic love, has described it as humanity’s most powerful drive. ‘People pine for love, they live for love, they kill for love, and they die for love,’ she has said, framing romantic love as a deeply embedded neural system that cannot simply be opted out of. According to Fisher, humans are hardwired for pair bonding through their very brain circuitry.”

Appropriate, is it not, that the emotional impulse to die for and kill for and dedicate one’s life to women comes from an “expert on neuroscience”, presenting male disposability as a norm. And yes, for those new to basic humanity for the male of the human species: the glorification and exaltation of male disposal for the sake of females is precisely what is being talked about here. The Romanticist thinks it’s dreamy. Anyone with basic esteem for men would think it is ghastly.

Since when is love in its most meaningful sense a cause or motive for death and abnegation?

But that’s the gist of that article. Blubbering pontifications confusing romanticism with proper pairbonding between the sexes, elevating Romantic love above all human relations (“All other human relationships pale in comparison”) and the constant appeal to hardwiring and biological inevitability.

In my mind, this all amounts to human (male) self-destruction as an argument for human species survival – this is the essence of collectivism, the denial of humanity to one segment of the species to serve a societal idealism.

Alright, enough of the nonsense. Here are the Five Reasons Not to Center Your Life Around Romantic Love.

1. The History of Romantic Love

The original article implies that our novels, artworks, “popular songs” and “most affecting films” are the proof we need that we need to center our lives around romance. To me, this accidentally suggests that all these are vastly new to human history, and nothing evolutionary in the sense that it was a cornerstone to our becoming homo sapiens, standing on our own two feet and achieving the glory of civilization.

While I am not saying that choices made from human infatuation never happened earlier in human history, nobody called it a virtue per se. The codifying of these infatuations into a whole framework of romantic love, or courtly love, appears to be in the order of centuries old.

Romantic love is as such not a biological constant. Instead it was a new, aristocratic cultural edict in which asymmetrical emotionalism was declared as a virtue. Emotion over mind became the standard. The result was the preaching of man’s sacrifice of rational interests, priorities, personal dignity, discernment, and resources.

What’s more, if we are talking history, marriage was primarily done with economic and political endpoints in mind, and yes as well as kinship. Passion was not the key factor. While to the uninitiated these arrangements seem like a game for the very rich, even the much poorer classes married for economic and survival purposes. The poor in particular did not appear to have the luxury of impulsive romantic acts.

The man grovels for the pedestalized female, who is both superior and more fragile than the man at the same time. Such is the legacy of romantic love, continuing to this day in modern formats. But the modern formats are taken today, erroneously, as evidence of the biological evidence of homo romanticus patiens…the suffering romantic man, as the apex of evolution.  

(Some runner ups were homo troubadorus, and homo pedestalicus, but I digress)

Being the farthest from the historical authority on the subject myself, I will leave some readily accessible links to Peter Wright’s gynocentrism.com, in particular the ones under ‘Courtly & Romantic Love’:

Courtly and romantic love

These will be able to tell you more than I can of the historical details that make clear that Romantic love is far less wholesome than most people delude themselves into thinking. Much of the Romantic ideal is downright misandric, if one can uncover his or her self-imposed blindfolds and take a good look.

2. Romantic Love is for Show and Public Acceptance.

Ever notice how in the process of promoting Romanticism, it always entails an element of loudness and publicity? Romantic love is to be “shouted”, one must want everybody to know it, and it is what the world needs right now to solve all our problems.

In the otherwise genuinely entertaining show Family Matters, Carl Winslow (the husband and father in the show) is too often portrayed as what I can only describe as henpecked, though to be fair this quality did not necessarily dominate the character’s run on the show. In the b-story of the episode “It Didn’t Happen One Night”, Harriette (the wife/mother) is upset with her husband, essentially, because he won’t express how he feels about her in public, and instead prefers to keep things private. This cumulates into what is essentially a concession on Carl’s part as he takes his police megaphone and shouts to the entire neighborhood out his door about how he loves his wife, after which Harriette is happy.

Certainly there are other moments like this in media and no doubt in romantic stories. There are other vestiges of this in our world – the awkward kiss cams in stadiums, carvings in trees with cupid’s arrows, blimps conveying messages that Boy loves Girl (yes, Family Matters did this too), the get-down-on-one-knee and propose in public that I’ve seen too often to my exasperation, and many more.

The marketing used here is “true love against the world”. As if the world will never approve of the love of this fine couple, but they don’t care, they are going to scream it out into the world and it doesn’t matter who knows it!

The problem with that is, that this is false – it’s not about being in defiance of societal expectations. Instead, it is about making sure society approves it.

The Romantic model, certainly as we are seeing it today, is all about advertising one’s love instead of keeping things intimate and private, leaving things within the pairbond and not shoving it into people’s faces. What we have is all about having an audience, and the approval of said audience.

It’s all about making it everybody’s business.

The approval, then, is focused on making sure the female half is “treated right”, when concerning the heterosexual side of things. As a sidenote, romantic framing within the LGBTQ+ contexts are always celebrated and subject to public approval, such to the point that any objection to that is immediately shot down as “bigotry” even if the objection was more akin to “get a room”.

But back on point. This societal scrutiny and approval is what the romantic model thrives on. It has nothing properly to do with indifference or defiance of what others may think.

Let’s talk more on how this is all for the performative benefit for the female. We know that the romantic model enables female narcissism vastly. A key quality about narcissism is the requisite of an audience to adore and uphold the narcissist. This “shout your love” aspect of the social Romantic model is tailor-made for the narcissist.

This is a danger for both healthy pairbonding and to one’s actual character, male or female. The society that abides under the Romantic model is essentially promoting living by consensus.

Under this, men are only “approved humans” if they center their lives around women. The rebuttals for failing to do so are ready-made and women of all stripes are equipped with them: Incel, Misogynist, something referencing penis size, Loser, and whatever else they can scrounge up.

The women in question cannot conceive of a life in which they aren’t showered with social approval, in essence demanding a lifelong princess treatment. Jettisoning self-accountability, she becomes just a set of whims and firing emotions.

And this is supposed to be essential to the human race biologically? This is what we must celebrate?

I’ll close off this second point by mentioning that in a proper pairbond, privacy is non-negotiable to the intimacy. There is nothing wrong with passion (rationally navigated and arrived at), but by its very design it is not something one advertises the particulars of. “None of your business” should be the norm regarding the details of the relationship as far as the passion goes.

The over-advertising and screaming-to-the-world of romance is deluded. If there is a good pair bond, why not keep it personal? Public romance is to involve the world – and so the pair is beholden to that world.

If we as a race evolved to uphold anything, it is our notion of privacy – but that is a subject for another time.

3. Pathologies Particular to the Romantic Model

The big error that Romanticists repeat that make them sound somewhat credible is the conflation of Romantic love with pairbonding itself.

Pairbonding, by the term alone, should imply mutual respect, values-based meaningful love, and above all, a close understanding and a type of friendship. If we look closely at romance, any pretense that it is a valid form of pairbonding has a way of unraveling.

I have already talked about the narcissism it induces particularly in women. The attention-seeking works in two ways: making sure the woman looks well-taken care of and tended to (“treat her right”, etc), and making sure the man us under her thumb and heel as needed, at her beck and call.

The latter sometimes is blatant; he is observably submissive when one takes a quick glance at the relationship. There are other circumstances in which this is not obvious, however: the pretense of leadership. Women, often the tradgyn types, love to talk about how a man leads.

Translating what such a woman says, this reads: “He pulls the carriage I am resting on while I crack the whip.”

Such “leadership” is performative, and she is nothing but condescending towards the very man she is allegedly pairbonded with. But this is neither friendship, understanding, nor any meaningful notion of love.

It resembles a relational pathology.

By design, the male fills the sacrificial role in anything deriving from the Romantic model. In a proper pairbond, a woman should be aghast at the notion that her male partner, her close friend, is to be sacrificed at all; she should be equally aghast that she is the beneficiary and endpoint.

This horror is a rational response, assuming we can expect women to feel this at all at this point. What do we have instead in this world? Adoration, gratitude, and joy – because a man is degraded. She is the visible cause of this, and her response is the opposite of horror. This is the pathology of society, the legacy of Romantic love. And it appears to be essentially exclusive to this model.

I’d be remiss if I failed to mention the accidents of youth that are the result of marketing Romantic love by and large. Emotional damage, radical adjustment to expectations physically and mentally, humiliation, all the way up to teen pregnancy – those are the fruits of Romantic love and the embracing of infatuation as standard instead of a challenge to overcome.

And what about the darker things that have been done? Murders due to jealousy, the murder of children in the light of affairs, suicidal acts of the moment, hybristophilic situations with women romanticizing dangerous criminals, and the most common popular result of romance: the thriving divorce industry and women looting their ex-husbands property without a care in the world.

We can safely say that it is rational to avoid Romantic love. When women, even those who allegedly “defend” men like the busybodies in Evie, instead insist that we need more Romantic love, and assert that only nasty, “lonely and bitter” men are against this, then this only indicates how deep the pathology runs in society. If the antifeminists themselves still fight for gynocentric ideology, it’s more uphill a battle than one wishes it is.

4. Companionate Love is Superior to Romantic Love

I for one wish we had a snappier label for this variant of love that we advocate. Companionate love, for the moment, seems to suffice.

It incorporates Storge in the sense that it is in fact a love of the family in a real sense. A pairbond, assuming it is built to last, is literally chosen family. The reason I don’t care to *only* call it Storge and leave it that is due to the privacy/intimate factor – it specializes it just enough to earn what is possibly a distinct categorization, or a subcategory.

Now let’s talk about Eros, or Erotic love. While Eros is often conflated with Romantic love, this is a mistake, and the reason goes beyond a simple mis-categorization.

Eros, properly, is unabashed. Romantic love, on the other hand, serves to both curtail and subordinate Eros. Romantic love serves to starve and control sex in a way that cartelizes it, to manipulate a man by withholding sex and general affection. So I think it is wrong to directly equate it with Eros.

In case I haven’t made it clearer before, those that hold the reins of Romantic love don’t approve of men’s Eros in any meaningful way. It goes without much explanation that male sexuality is demonized, with the express directive that it is only proper when it serves women. If anything, Romantic love whitewashes Eros, demonizes it and then “forgives” it in men if certain shit-tests are passed.

As the erotic factor is important to a pairbond (albeit in varying degrees; men are different in the volume of their sexuality here), is Erotic love the proper descriptor of what we are looking for?

Well, while it is part of it, a pairbond isn’t necessary per se for erotic love to have some presence, so again it isn’t a complete picture. Like Storge, it isn’t an estimate of it, but it is adjacent. What we are looking for incorporates both to be sure, but it needs a proper category that isn’t Romantic love.

Whatever we call this (and again, Companionate love seems to do for the time being), it is the more rational, moral choice over Romantic love.

So, does this mean we must center our lives around Companionate love instead? The answer…is no.

5. You Shouldn’t Be Centering Your Life Around “Love” Anyway.

Even if Romantic love is all it’s cracked up to be (and I hope I’ve indicated successfully that it isn’t), one must not center one’s life around it. So it should follow that whatever remains that *is* all it’s cracked up to be – that is, what we call Companionate love or any proper form of intimate love – should likewise not be the center of one’s life.

Romantic love is practically by definition centering one’s life around a woman on the man’s part, and on the woman’s part the indulging and moralizing of men’s centering of her in his life. We disavow this paradigm by rejecting Romanticism itself.

So, as a proper form of Companionate love doesn’t involve this centering, it follows we shouldn’t force it to be the center as it is not natural to do so.

A human life essentially is about values and the pursuit of happiness. Things like love are a detail (albeit non-trivial), not an end goal. If anything, the pairbond should be among the number of things that reflect how you live your life with the values you aim for. They are not the aim itself.

Your ikigai, that sense of life purpose and worth, is something particular to yourself that cannot be simplified by who you have a relationship with. Everything and everybody you choose to surround yourself with should be an indicating detail and reflection of the choices you made as per your ikigai. They are not the ikigai itself.

In plainer language, your pairbond should reflect your values, yes. But it is not in itself the center.

While this is the most important reason in this article, there isn’t much to be more longwinded about, and I think this is very straightforward. Love is not the most important thing on this planet nor for our existence, and there are other things more important than the even best iterations of partner love.

Respect, especially for oneself, comes to mind. From that flows mutual respect, the understanding of values and boundaries, and one another. Love being the greatest value in the world tends to comfort people, but it’s time to challenge that.

Some Closing Thoughts on Love

Even if we extracted the toxic elements – the sacrificial expectation for men, the pedestalizing, and the exhibitionistic performances – the very notion that one must center their life around love is a funny thing.

I have come to properly understand love as an action that is self-initiated. In some of its purest forms, it manifests itself as attention that bring out the life in something, be it work on one’s car, a dedicated train set, a well-designed composition or architecture, a meal cooked in just the right way, and many other examples.

Love, then, appears to be a cultivation and a process. It’s not an end goal to center one’s life around, but just something we wield mindfully. It cannot be faked – “duty” or “obligation” to love then becomes inexact, as again this is self-initiated.

The same should stand when love is applied to human relations. Love brings out the life in people where needed. Relationships, and loves, are built over time.

But reliance on another’s love is only an indicator that one has failed to love oneself in a meaningful way as I have described thus far: taking charge of one’s own life and freeing it from being beholden to another’s approval.

The centering of love, and the “pursuit” of it, then makes for two pratfalls: one – the insistence to perform love to the point of sacrificial behavior, and two – the complete, narcissistic reliance on love by another such that they will fall apart when they have to stand alone.

Standing alone is the key to humanity and despite the familiar prattling of how man is a social animal, humanity’s true evolutionary distinction is the ability to stand alone…but that is an article for another time.

Romantic love promotes fertility collapse – Alan Macarlane (1986)

The following excerpt from Marriage and love in England : modes of reproduction, 1300-1840, by Alan Macfarlane, describes how romantic love leads to disintegration of the extended family and promotes lowered fertility among those who practice it. 

Romantic Love

In contrast to most other recorded societies, it has been noted that Americans do ‘not merely build their households on the husband–wife relationship, but build their whole value system and morality on it’. Whereas in industrial Western societies the emotional relationship between man and wife is primary, it is not the pivot of social structure in the majority of societies.¹ As we have noted, the relationships that are most important are often those between parents and children, with the marital bond as a poor second. ‘In Eastern countries with their ancient civilization there exists even now comparatively little of that tenderness towards the woman which is the principal charm of our own family life,’ wrote Westermarck.²

The transition from a situation where the marital relationship is subordinated to others, to the prevalent Western view of it as the deepest and most enduring relationship of life, brings numerous consequences, changing the nature of marriage and women’s and men’s roles. One consequence is the demographic one. The substitution of the husband–wife relationship for wider kinship links and parent–child ties, decreases the pressure to have children. The couple are sufficient to each other: children become a luxury, not a necessity. Effective contraception makes it possible to choose whether to indulge in a few or many. Hence the strengthening of the husband–wife bond is part of that emotional and economic nucleation which certain demographers like Caldwell see as leading to a state of affairs propitious for the demographic transition to lowered fertility.³ 

¹ Bohannan, Social Anthropology, 99; Goode, World Revolution, 14, 89.
² Westermarck, Marriage, ii, 24ff; ii, 28.
³ Caldwell, ‘Restatement’, 354.

Romantic Love: The Ritual Surrender of a Man’s Honor

In the tradition of chivalric love, a man was required to prove the depth of his devotion to a woman by trashing his honor, his values, and his wider sense of self—at her command.

This is the essence of the romantic tradition. Not a perversion of it, but its core. To demonstrate that his love was genuine, a man had to show he would be utterly shameless in his sycophancy toward her: sacrificing his reputation, his principles, his duties to kin and king, his dignity, and his standing in the world. Joseph Campbell captured the brutal demand: when the heart is completely taken by this image of love, nothing else counts—and the ultimate test of an infatuated heart became the willing surrender of honor itself.

From Tristan’s self-destruction to Lancelot’s groveling obedience, the tradition celebrated men who chose dishonor over dignity, preferring “thirty shames” to a single honor if it pleased her. What Western romance has always asked of men is not elevation, but this precise form of shameless, self-abasing surrender.

Below are a series of excerpts showing that this tradition requires a man to sacrifice his values and honor in order to prove his love for a woman. This factor has been central to the history of romantic love, and remains so today. As stated by Joseph Campbell, the tragic tension between love and honor has remained unresolved in the West to the present.

Joseph Campbell Quotes:

“When the heart is completely taken by this image of love, nothing else counts; and in the courtly tradition, nothing else counted. Amour. And what is the principal threat? Honor. So you find in these traditions of the Middle Ages this conflict between honor and love. The ultimate sacrifice for a noble heart is the sacrifice of honor for love. So that’s the theme that we’re up against here.” [Transformations of Myth Through Time – 1988]

“This we now must recognize as posing a profound problem—the problem, I should say; that from the period of the early Tristan poets, when it first seriously emerged in our literature in terms of the tragic tension between minne and ere, love and honor, that has remained unresolved in the West to the present.”  [Creative Mythology – 1968]

“For it was in the legend of the Holy Grail that the healing work was symbolized through which the world torn between honor and love, as represented in the Tristan legend, was to be cured of its irresolution.   [Myths To Live By – 1972]

“In the Tristan romance King Mark is of course in the role of the jealous spouse; and his royal estate, with its elegant princely court, stands for the values of the day:  world-history, society, knightly honor, deeds, career and fame, chivalry and friendship—in absolute opposition to the grotto of the timeless goddess Minne (romantic love).” [Creative Mythology – 1968]

“In Gottfried’s poem, tragedy follows the inability of the characters to reconcile love (minne), on one hand, and honor (ere), on the other. Gottfried himself and his century were torn between the two.  The Love Grotto in the dangerous forest represents the dimension of the depth experience and King Mark’s court, the world in which that experience has to be borne.” [Flight Of the Wild Gander – 1969]

“The second work by Chrétien—you can see he was writing for Marie—was Erec. It’s a wonderful story of a young knight who has had great fame and then falls in love. Now this is a modern as well as an ancient theme. His career is wrecked by his devotion to his love. This is the theme, honor or love. His honor is wrecked. He is no longer winning the battles, and when he realizes this, he becomes rejective of her. This is the normal thing for today, you know: you marry at twenty-two and divorce at twenty eight to recover. So he pushes her aside and then goes forth to win back his fame. She trots along behind him—she’s right there all the time—and then finally her loyalty to him, in her rejection, solves the whole problem.” [Transformations of Myth Through Time – 1988]

 

Books and Studies:

“The legend of Tristan and Isolde, posing the basic human conflict between an overpowering passion and the demands of morality and honor, offered a rich fund of material for medieval writers. They told the story in various forms for various reasons. Some condemned the love, others exalted it. For one, Tristan is a great hero, destroyed by a passion he cannot control; for another he is an artist inspired by a love that is mostly pain; for another, a knight caught between his love and loyalty to an unworthy king…

The conflict arises because Tristan’s love for Isolt is not just an ennobling inspiration, it is also a physical passion that demands fulfilment and destroys prudence. Love, which should guide the knight in the right direction, instead gets in his way. This presents a crucial paradox: without honor in the world a man cannot be a perfect lover, but without love a man is not a complete knight.

Why does this paradox exist? Because love between man and woman cannot be a purely spiritual phenomenon; there is always the danger of the physical impulse asserting itself and taking control. Then love, for all its ennobling powers, becomes an anti-social force. The only way out of the dilemma is death, so instead of a moral comedy, we have a romantic tragedy.”

 

For her sake he prefers dishonor rather than honor;  “I prefer thirty dishonors to an honor if it takes her from me: for I am a man of such nature that I wish no honor but her benefit.” ~  Provençal troubadour Peire Vidal

Launcelot’s submission does not cease when he is accepted by Guinevere. He continues to obey every whim of his mistress, no matter what it may cost him. Most precious to a knight was his honor. We have seen how Launcelot sacrificed this to obtain the Queen’s good graces. He continues to love dishonor rather than honor, when she wills it.

Denis de Rougemont: The root cause of the destruction of marriages (1939)

The following section from Denis de Rougemont’s book Love In The Western World discusses the breakdown of stable relationships in America and the Western world due to the influences of romantic love.

William Of Aquitaine: The First Simp

By Paul Elam

If you’ve been an attentive follower of my work, particularly the collaborative efforts with Peter Wright, you know that we’ve explored the historical roots of gynocentrism and, just as importantly, the origins of the romantic model of pair bonding and marriage. We’ve written about Queen Eleanor of Aquitaine and her daughter Marie, who instituted a sex-relation model based on men idealizing women and being shamed into serving them. That model, once referred to as courtly love, was spread with the help of commissioned troubadours, reinforced with their love stories, romantic songs, and poetry. And as we can plainly see in modern times, electronic media continues that tradition in full force on a worldwide platform. Now operating under the heading of romantic love, we can describe it with a more modern and accurate turn of phrase; Romantic love is the practice of males simping to narcissistic women.

Eleanor and her daughter were the first to popularize this practice, however the original impetus came from Eleanor’s grandfather William IX Duke of Aquitaine (1071-1127 CE), who is considered the world’s first troubadour – a man who wrote effusive, gushing poetry, expressing love for women in worshipful stanzas. He took delight in performing music and song, serenading women, and feeding their narcissistic hunger. William’s gynocentrism was so exaggerated, in fact, that he had a picture of his naked mistress painted on his shield, claiming that he was glad to bear her image in battle as she had borne him in bed.

Dangereuse Bouchard Dangerosa Shield mistress William IX

So, it is clear. William IX was patient zero in the romantic chivalry virus that has since infected the world. We find no historical example of this kind unbridled gynocentrism in a man of prominence that predates him. All of this is understood in academic circles, but little known outside of them. William M. Reddy, Professor of History and Cultural Anthropology at Duke University, describes William’s role in the tradition as follows:

The genre of the troubadour song, and with it the basic elements of courtly love, seems to have arisen full-blown in his mind, ready to be imitated and elaborated by his many enthusiastic followers.

The lyrics of ten songs by William IX have survived. They form a curious series. Four are recognizably troubadour love songs, offering, in Reto Bezzola’s words, “an entirely new conception of woman and of love, new not only for the count of Poitou, but for the entire world.”1

While understandable that women would have embraced such a model in order to obtain material and narcissistic gratifications from men, it’s more perplexing that a powerful man did so when he could have had any woman at any time, by simply wiggling his finger. How strange that his chosen path instilled a brand of pathetic sycophancy in contemporary and future men, effectively rendering him a traitor to his own sex.

And indeed, do we not see this on full display in modern times? How many powerful men with high sexual market value have you seen engaging in sappy public fawning over women, gratuitously feeding their egos as a kind of twisted performance art?

And how many men lend silent complicity to this game, following William’s traitorous ways? Recently, there was a televised debate of Republican presidential hopefuls. Nikki Haley, the only woman on the stage alongside six very powerful, influential men, interrupted the entire field at one point and blurted out, “If you want something said, ask a man. If you want something done, ask a woman.” The remark, a reference to her book of the same title, was met with applause by the audience and sheepish silence by the allegedly powerful men on stage. Now, even the most cursory look at modern civilization, where literally nothing is built or maintained by women, informs you that what Haley said is complete bullshit. That, however, didn’t motivate a single man onstage to say a single corrective word. It was a telling microcosm of what society has become under the romantic model, and proof that William the Simp’s infectious ideas took root and flourished.

The court of William IX at Poitou, considered the center of culture at that time, was filled with song, a culture of courtly love, and affluence. Aquitaine was the richest duchy in the south of France.2 Eleanor was raised in this court where she would watch the spectacle of courtly love and its requisite worship of women play out every day of her childhood. Apparently, Eleanor warmed very quickly to the sight of obsequious men shamelessly competing for the approval of women. She would later elaborate and bring that vision to the entire world when she became Queen of both France and England.

Has there ever a greater traitor to the collective male sex than William? He’s brought simping to the world and set the bar high on its practice.  His little fetish has now spread to become more popular than the gospel of Jesus. More romantic love novels are sold each year than are copies of the Bible. In fact, just one Texan author alone sold 3 million more copies of her romance novel in 2022 than copies of the Bible in the same year. Let that sink in.3

William’s story is instructive for how badly men can screw up, and that brings us to similar behaviours we see in men in the here and now. Should we really blame women for the rise of romantic chivalry? Is female narcissism the real culprit? Perhaps feminism? Certainly there’s cause to point at those things, though diligence compels us to also look askance at men who swallowed the romantic narrative with little to no resistance. Fathers, husbands, male lovers all share in the blame.

And of course, blaming the source only gets you so far. Ultimately, we settled on the idea that William the Simp is the red pill man’s greatest object lesson. In a way he’s our best friend. The guy you learn what not to do from. After all, to William he was striking out into new territory: women had never been so elevated, so overblown before in any of recorded history. He was a powerful guy with a masochistic submission fantasy. Women jumped on that and rode it like a sybian sex aid.

But that’s the good part. If you’re a red pill guy here for your dose of content, you are also striking out into new territory. You’re doing something unheard of to most men until recent times. The path you’ve chosen won’t please women, and it won’t sell near as well as kissing women’s asses, but there’s a major silver lining to that. The past thousand years of simping stops with you.

 

References:

[1] The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, 900-1200 CE.
[2] Eleanor of Aquitaine, in New World Encyclopedia.
[3] Author Colleen Hoover went from tending cows to writing bestsellers.

 

 

Challenging The Claim That Romantic Love is Universal: Excerpt from William Reddy’s The Making Of Romantic Love

The following excerpt is from William Reddy’s The Making of Romantic Love, elaborating on the problem of conflating romantic love with more universal forms of love. – PW

* * *

The Anthropology of Romantic Love

The English word love can mean so many different things that, by convention, one adds the word “romantic” to distinguish those types of love that include a sexual component from all other types of love. This is the sense of “romantic love” deployed by William Jankowiak and Edward Fischer in a widely cited study published in 1992.1 The authors presented evidence that romantic love was present in 147 out of 166 cultures, or 88.5 percent. Their definition of romantic love was very broad. Evidence of any one of five criteria was regarded as sufficient: (1) accounts of personal anguish and longing, (2) love songs or folklore “that highlight the motivations behind romantic involvement,” (3) elopements due to mutual affection, (4) native accounts of passionate love, and (5) ethnographers’ affirmations.

The authors believed their findings disproved a view expressed by a number of scholars that romantic love was found only in modern individualistic societies. The evidence, they concluded, strongly supported the universal occurrence of romantic love. Jankowiak subsequently edited an anthology of essays by ethnographers presenting evidence for the existence of romantic love in a variety of cultural settings from West Africa to Polynesia.2

In a 1998 essay, Charles Lindholm rejected Jankowiak and Fischer’s conclusion, however, on the grounds that their definition of romantic love lacked sociological and cultural specificity.3 […]  Lindholm’s observations strongly indicate the need for a more nuanced vocabulary. After all, his objection to Jankowiak and Fischer’s conclusions may be the result of a terminological confusion. Jankowiak and Fischer cast the widest possible net that the term “romantic love” permits.

In this study, the term “longing for association” will be used to refer to that wide net that Jankowiak and Fischer cast, and the term “romantic love” will be reserved to refer to those forms of the longing for association that have emerged in Western and Western-influenced cultural settings where one or another of the historical versions of desire-as-appetite is accepted as common sense.

To illustrate the importance of this distinction, consider a case mentioned by Leonard Plotinicov in the 1995 anthology edited by William Jankowiak. Plotinicov reports on a Nigerian informant who became fascinated, even obsessed with his third wife the moment he saw her. Although he already had two wives, he said, “I told her I wanted to marry her. She said she had nothing to say about that, and directed me to her parents.” He immediately went to negotiate with the parents and soon married her.4 Whatever this man’s emotion was, to equate it with “romantic love” as practiced in certain Western settings is to ignore the centrality of reciprocal feeling and of exclusivity in Western norms for love partnerships.

References:

[1]. William R. Jankowiak and Edward F. Fischer, “A Cross-Cultural Perspective on Romantic Love,” Ethnology 31 (1992): 149–55.
[2]. William R. Jankowiak, ed., Romantic Passion: A Universal Experience? (New York: Columbia University Press, 1995).
[3]. Charles Lindholm, “Love and Structure,” Theory, Culture & Society 15 (1998): 243–63.
[4]. Leonard Plotinicov, “Love, Lust and Found in Nigeria,” in Romantic Passion: A Universal Experience? ed. William Jankowiak (New York: Columbia University Press, 1995), 128–40, quote from p. 134.

See also: A Brief Commentary On Jankowiak & Fischer’s Misuse Of The Term Romantic Love

Courtly and Romantic love – by Lester F. Ward (1903)

Below is a summary of the rise of romantic love by Lester F Ward, an American botanist, paleontologist and sociologist. For the full text version of Ward’s commentary on romantic love see here. – PW

* * *

The appearance in the most advanced races of a derivative form of natural love is known as romantic love. It is a comparatively modern product, and is not universal among highly assimilated races. In fact, I am convinced that it is practically confined to what is generally understood as the Aryan race, or, at most, to the so-called Europeans, whether actually in Europe or whether in Australia, America, India, or any other part of the globe. Further, it did not appear in a perceptible form even in that ethnic stock until some time during the Middle Ages. Although I have held this opinion much longer, I first expressed it in 1896.1 It is curious that since that time two books have appeared devoted in whole or in part to sustaining this view..2 There is certainly no sign of the derivative sentiment among savages. Monteiro, speaking of the polygamous peoples of Western Africa, says: –

The negro knows not love, affection, or jealousy. … In all the long years I have been in Africa I have never seen a negro manifest the least tenderness for or to a negress. … I have never seen a negro put his arm round a woman’s waist, or give or receive any caress whatever that would indicate the slightest loving regard or affection on either side. They have no words or expressions in their language indicative of affection or love.3

Lichtenstein4 says of the Koossas: “To the feeling of a chaste tender passion, founded on reciprocal esteem, and an union of heart and sentiment, they seem entire strangers.” Eyre reports the same general condition of things among the natives of Australia,5 and it would not be difficult to find statements to the same effect relative to savage and barbaric races in all countries where they have been made the subject of critical study. Certainly all the romances of such races that have been written do but reflect the sentiments of their writers, and are worthless from any scientific point of view. This is probably also the case for stories whose plot is laid in Asia, even in India, and the Chinese and Japanese seem to have none of the romantic ideas of the West; otherwise female virtue would not be a relative term, as it is in those countries. This much will probably be admitted by all who understand what I mean by romantic love.

The point of dispute is therefore apparently narrowed down to the question whether the Ancient Greeks and Romans had developed this sentiment. I would maintain the negative of this question. If I have read my Homer, Æschylus, Virgil, and Horace to any purpose they do not reveal the existence in Ancient Greece and Rome of the sentiment of romantic love. If it be said that they contain the rudiments of it and foreshadow it to some extent I shall not dispute this, but natural love everywhere does this, and that is therefore not the question.

The only place where one finds clear indications of the sentiment is in such books as “Quo Vadis,” which cannot free themselves from such anachronisms. I would therefore adhere to the statement made in 1896, when I said, “Brilliant as were the intellectual achievements of the Greeks and Romans, and refined as were many of their moral and esthetic perceptions, nothing in their literature conclusively proves that love with them meant more than the natural demands of the sexual instinct under the control of strong character and high intelligence. The romantic element of man’s nature had not yet been developed.”

The Greeks, of course, distinguished several kinds of love, and by different words (erosagapephilia), but only one of these is sexual at all. For eros they often used ‘Aphrodite’. They also expressed certain degrees and qualities in these by adjectives, e.g., pandemic. Some modern writers place the adjective heavenly over against pandemic, as indicating that they recognized a sublimated, heavenly, or spiritual form of sexual love, but I have not found this in classic Greek. Neither do I find any other to the Latin Venus vulgivaga. But whether such softened expressions are really to be found in classic Greek and Latin authors or not, the fact that they are so rare sufficiently indicates that the conceptions they convey could not have been current in the Greek and Roman mind, and must have been confined to a few rare natures.

Romantic love is therefore not only confined to the historic races, those mentioned in Chapter III as representing the accumulated energies of all the past and the highest human achievement, but it is limited to the last nine or ten centuries of the history of those races. It bean to manifest itself some time in the eleventh century of the Christian era, and was closely connected with the origin of chivalry under the feudal system. Guizot has given us perhaps the best presentation of that institution,6 and from this it is easy to see how the conditions favored its development.

In the first place the constant and prolonged absenteeism of the lords and knights, often with most of their retainers, from the castle left the women practically in charge of affairs and conferred upon them a power and dignity never before possessed. In the second place the separation of most of the men for such long periods, coupled with the sense of honor that their knighthood and military career gave rise to, caused them to assume the rôle of applicants for the favor of the women, which they could not always immediately attain as when women were forcibly seized by any one that chanced to find them.

These conditions produced a mutual sense on the part of both sexes of the need of each other, coupled with prolonged deprivation on the part of both of that satisfaction. The men, thus seeking the women, naturally became chivalrous toward them. The solitary life of women of high rank made them somewhat a prey to the lusts of men of low degree, and the knights assumed the rôle of protecting them from all dangers. Moral and Christian sentiments also played a part, and we find among the provisions of the oath that every chevalier must make the following solemn vows: –

To maintain the just rights of the weak, as of widows, orphans, and young women. If called upon to conduct a lady or a girl to any place, to wait upon her, to protect her, and to save her from all danger and every offense, or perish in the attempt. Never to do violence to ladies or young women, even though won by their arms, without their will and consent.

Such an oath, made a universal point of honor, any breach of which would be an everlasting disgrace, and be punished severely by the order of knighthood to which they belonged, could not fail to produce a powerful civilizing effect upon the semi-barbaric men of that age. The whole proceeding must have also given to women a far greater independence and higher standing than they had ever before enjoyed since the days of gynæcocracy in the protosocial stage.

Out of this condition of things there arose a special class of poets who wrote lyrics wholly different from the erotic songs of antiquity that go by that name. These poets were called troubadours, and some of them wandered from place to place singing the praises of the great court ladies, and still further inflaming the new passion, which was relatively pure, and contented itself with an association of men with women while conserving the honor and virtue of the latter. This, of course, was a passing phase and somewhat local, being mainly confined to southern France and parts of Spain.

It degenerated, as did the whole institution of chivalry, and by the end of the thirteenth century nothing was left of either but the ridiculous nonsense that Cervantes found surviving into his time, and which he so happily portrayed in Don Quixote. But chivalry had left its impress upon the world, and while Condorcet and Comte exaggerated certain aspects of it, no one has pointed out its greatest service in grafting romantic love upon natural love, which until then had been supreme.

But it would be easy to ascribe too great a rôle, even here, to chivalry. The truth is not all told until chivalry is understood as an effect as well as a cause. Whatever may be said of the Middle Ages as tending to suppress the natural flow of intellectual activities, there can be no doubt that they were highly favorable to the development of emotional life. The intense religious fervor that burned in its cloisters for so many centuries served to create centers of feeling, and to increase the sensibility of all those nerve plexuses that constitute the true organs of emotion.

Whatever may be the physiological changes necessary to intensify the inner feelings, corresponding to the multiplication and diversification of the neurons of the brain by which the intellect is perfected, such changes went on, until the men and women of the eleventh century found themselves endowed with far higher moral organizations than those of the ancient Greeks and Romans. They had been all this time using their emotional faculties as they never had been used before, and the Lamarckian principle of increase through use is as true of those faculties as it is of external muscles and organs. It is true of the brain, too, and when educationalists wake up to this truth the only solid basis for scientific education will have been discovered. But without a preparation in this latent growth of the emotional faculties neither chivalry nor romantic love could have made its appearance.

The crusades, contemporary to a great extent with chivalry, and due also to the surplus emotion, taking here a religious course, became also a joint cause in the development not only of romantic love but also of many other lofty attributes, both ethical and intellectual. They failed to save the holy city, but they gained a far greater victory than that would have been in rationalizing, moralizing, and socializing Europe. Any one who thinks they were a failure has only to read Guizot’s masterly summing up of their influence.7

Romantic love was due primarily to the greater equality and independence of woman. She reacquired to some extent her long-lost power of selection, and began to apply to men certain tests of fitness. Romantic love therefore marks the first step toward the resumption by woman of her natural scepter which she yielded to the superior physical force of man at the beginning of the androcratic period. It involves a certain degree of female selection or gyneclexis, and no longer permitted man to seize but compelled him to sue.

_______________________________

REFERENCES:

1) International Journal of Ethics, Vol. VI, July, 1896, p. 453.
2) “Antimachus of Colophon and the Position of Women in Greek Poetry,” by E. F. M. Benecke, London, 1896. “Primitive Love and Love Stories,” by Henry T. Finck, New York, 1899.
3) “Angola and the River Congo,” by Joachim John Monteiro. In two volumes. London, 1875, Vol. I, pp. 242-243.
4) “Travels in Southern Africa,” in the years 1803, 1804, 1805, and 1806, by Henry Lichtenstein, English translation, Dublin, 1812, p. 261.
5) Journals, etc., Vol. II, p. 321.
6) “Histoire de la Civilisation en France depuis la chute de I’Empire Romain,” par M. Guizot, 3e éd., Vol. III, Paris, 1840, Sixième Leçon, pp. 351-382.
7) “Histoire générale de Ia Civilisation en Europe depuis la chute de I’Empire Romain,” par M. Guizot, 4e éd., Paris, 1840, Huitième Leçon, pp. 231-257.