Revisioning Anima and Animus

The following book excerpt from Teaching Jung, Edited by Kelly Bulkeley and Clodagh Weldon, details a popular Jungian revisioning of Anima and Animus concepts.

‘ While merely scratching the surface of a rich Jungian literature of gender, we can see that the legacy of creativity approaching gender has been exceptionally fertile. Probably the most significant and far-reaching creative developer of Jung’s legacy is James Hillman, who in the 1970s produced two key articles radically transforming the anima. Through a critical rereading of Jung’s texts, Hillman aims to detach the anima from Jung’s delight in opposites. The anima is not limited to men. “She” should adopt Jung’s other name for her as “soul” and take her rightful place as a structure of consciousness in relationship to unconsciousness in both sexes . So the anima now fully inhabits her role as relatedness, as the bond to the unknown psyche, not to other people.

It follows that Eros be recognized as the separate function of sexuality and not falsely joined to the anima. Women no longer carry the anima or soul for men. They have their own anima-souls to cherish. Similarly, both sexes have equal access to animus or spirit.

Hillman then goes further to argue that anima as relatedness to the unconscious is the true basis of consciousness. Such a move dethrones the ego, which has been built upon the culture of the hero myth. “He” is driven by the desire to conquer and repress the other. Useful in the child and adolescent phases of life, the hero myth needs to be discarded by the adult who discovers his or her true being in anima-relatedness.

For Hillman, the anima is the archetype of psychology and soul making. She can manifest as singular or plural. Anima and animus ideally enact an inner marriage, marking the most fertile aspect of psychic development; they are the psychic lenses by which the “other” is known. So if the anima is seen as “one,” that is not to be taken as her essence. Rather, it is that she is regarded through a perspective conditioned to see “ones.” Hillman’s revisions of anima are exhilarating. They open up possibilities in ways that are faithful, I would venture, to Jung’s sublime intimations of gender as the point where reason and theory are defeated. ‘

 [Teaching Jung – p. 175]

The Zeta Male

The following article appeared in the Nigerian publication Pulse.ng in 2017:

___________________________________________

A new class of men who don’t care what you think

Tell your friends
Zeta Males are the new type of men who do not play the ‘game’ but are societal rebels.

Zeta Male are carefree
Zeta Males are carefree

There are three types of men….

The term alpha male shouldn’t be strange to you. It has become a pop culture buzz word up to the point of overuse. The alpha male is the confident, strong male who is the leader of the pack. Things revolve around him and he leads the way for others.

The alpha males are known as the bad guys, assholes or even Yoruba demons.

The beta male is the next on the pecking order. He is the opposite of the alpha male in the pack. He lacks charisma, charm, physical presence and confidence.

The beta males are the nice guys that are normally friend zoned by hot babes.

Last on the list is the omega male. He is at the bottom of the pile. He is socially awkward and doesn’t look presentable. In other words, he is a slob. Nobody wants to hang out with these type of guys.

Apart from these types of men, there is a new classification of men- the zeta male.

The three types of men are based on largely how women perceive them and society expectations. The zeta male is a rebel and doesn’t give a damn about women and society.

A zeta male is used for men who have rejected the traditional expectations associated with being a man- a provider, defender, and protector. He rejects stereotypes and doesn’t conform to traditional beliefs. He marches to the beat of his own drum and refuses to be seduced and shamed by anyone.

The term zeta male first appeared on the Internet in 2010. The appearance of the zeta male in the hierarchy of men has a lot more to do with what is known as Men Going Their Own Way.

Abbreviated as (M.G.T.O.W), this is a movement of men who have detached themselves from societal standards and expectations of women. According to Urban Dictionary M.G.T.O.W “is a statement of self-ownership, where the modern man preserves and protects his own sovereignty above all else. It is the manifestation of one word: “No”. Ejecting silly preconceptions and cultural definitions of what a “man” is.”

While an alpha female might find feminism amusing, the zeta male hates it. Zeta is named after Zeta Persei, the third-brightest star in the constellation.

According to website A Voice For Men “Persei is a variation of Perseus, the first of the Greek mythological heroes.” In Greek mythology, Persei slew Medusa. Medusa happens to be the symbol for feminism.

Zeta male is the fourth dimension of men. It will be interesting to see how long the zeta male will last in this era of social constructs.

Here’s what happened to Esther Vilar after she angered feminists

When Esther Vilar published her book The Manipulated Man she was beaten up by four young women in the toilet of the Munich State Library who were angry about her perspectives.1 According to her own statement, her emigration from Germany goes back to this. The following account detailing her ongoing experience of violence by feminists was published in the San Rafael Daily Independent Journal Newspaper in 1973.2

Daily_Independent_Journal_Mon__Jan_8__1973_ (1)

[1] Esther Vilar: “Liebe macht unfrei”, Die Weltwoche, Ausgabe 51/2007  [English translation]

[2] San Rafael Daily Independent Journal Newspaper Archives January 08, 1973 Page 42.

Feminism as emblem of the “Me” generation (Article from 1976)

feMEnism2

The “Me” Decade and the Third Great Awakening

By  – New York Magazine – 1976

In 1961 a copywriter named Shirley Polykoff was working for the Foote, Cone & Belding advertising agency on the Clairol hair-dye account when she came up with the line: “If I’ve only one life, let me live it as a blonde!” In a single slogan she had summed up what might be described as the secular side of the Me Decade. “If I’ve only one life, let me live it as a—!” (You have only to fill in the blank.)

This formula accounts for much of the popularity of the women’s-liberation or feminist movement. “What does a woman want?” said Freud. Perhaps there are women who want to humble men or reduce their power or achieve equality or even superiority for themselves and their sisters. But for every one such woman, there are nine who simply want to fill in the blank as they see fit. “If I’ve only one life, let me live it as … a free spirit!” (Instead of … a house slave: a cleaning woman, a cook, a nursemaid, a station-wagon hacker, and an occasional household sex aid.)

But even that may be overstating it, because often the unconscious desire is nothing more than: Let’s talk about Me. The great unexpected dividend of the feminist movement has been to elevate an ordinary status—woman, housewife—to the level of drama. One’s very existence as a woman—as Me—becomes something all the world analyzes, agonizes over, draws cosmic conclusions from, or, in any event, takes seriously. Every woman becomes Emma Bovary, Cousin Bette, or Nora … or Erica Jong or Consuelo Saah Baehr.

Source:

The “Me” Decade and the Third Great Awakening, By Tom Wolfe (1976)

Briffault’s Law is junk science

The following passage critiquing Briffault’s Law is excerpted from Peter Ryan’s three-part essay Gynocentrism, Sex Differences and the Manipulation of Men. – PW

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Robert Briffault

Robert Briffault (1876 – 1948)

The belief in female superiority ultimately rests on the unquestioned axiom that women are biologically valuable and men are biologically expendable, because women have a uterus and give birth and men do not. Propagating this lie is a part of normalising gynocentrism in our culture and is the foundational justification that is relied upon when gynocentric double standards are challenged.

Convincing men that they are expendable with this fictitious lie and using sophistry and twisted interpretations of biology to change men’s perception of themselves from a human being to a human doing, is a core means through which men are controlled in society. When men see themselves as expendable, then they willingly go along with their own exploitation. Even when they do not, men with this perception will not support any organised resistance to the exploitation and marginalisation of men because they perceive it as futile. The gynocentric programming has done its job in such cases- Men become paralysed in a mental prison of learned helplessness.

The notion that females determine all the conditions of the animal kingdom (or Briffault’s Law13), is part of that programming and is demonstrably false. Women are not omnipotent. Rape gangs exist, female sex slaves exist, female genital mutilation occurs, the murder and abortion of female infants occurs, arranged marriage exists, millions of Jewish women were exterminated along with men in death camps and the genuine marginisalisation of women exists in parts of Africa and the Middle East (and no I am not talking about Iran).

Even in highly traditional theocratic cultures like Iran, where both men and women are restricted, women cannot do as they please. Don’t believe me? Watch this documentary14 on women and divorce in Iran. Women do not call the shots in Iran and neither do men, the theocrats and the family do. Plus one for a restrictive culture and minus one for female omnipotence. Even in the West women do not always get their way. Trump got elected despite feminists and even the democrats don’t entirely follow female interests. These are not just exceptions to the rule, there are too many exceptions to count. These are chasms that cannot be explained with such an absolutist, monolithic and simplistic so-called “law”.

In dating and relationships we can see men that pump and dump women wanting marriage, or men that opt out of relationships entirely and go their own way. I have often heard women are the gatekeepers of sex, but men are far more selective when it comes to getting married and having a relationship than they are with sex. Women might only prefer the top twenty percent of men, but those same men have little incentive or desire to settle down with them. These men have an abundance of women that want them and many men in the top twenty percent can and do simply pump and dump them.

At the same time, whilst women are complaining about where all the good men went and men not earning enough and pretending like feminism has nothing to do with it, less and less men are interested in marriage and relationships. Men are becoming aware of the bias in divorce and family court and steering clear of marriage. They are also steering clear of certain women in the #metoo climate and domestic violence climate and refusing to be alone with female co-workers or mentor them. Then there is the wall, where women over 35 experience a sharp drop in their sexual mating value in contrast to the rising sexual mating value of their male counterparts. So no, women do not control every aspect of dating, relationships and how the sexes interact in the workplace. Ultimately women cannot force men to do anything and men do act at least to some degree on their own self-interest. There are too many exceptions to make the generalisation women control everything. They do not.

There is a big difference in suggesting women influence society and taking the absolutist position women control all the conditions of the animal kingdom and by extension society. Do women control every political and economic decision made by our governments? Did women cause Trump to launch an attack on an Iranian general? Did women tell the US government to bail out the banks? The reason modern evolutionary biology does not cite Briffault’s Law as a “law” or established theory, is because the facts and evidence do not support the absolutist position of female omnipotence it rests on. Evolutionary biology and psychology recognise female mate choice exists, but they also recognise male mate choice exists too and that other factors unrelated to female influence, also influence the conditions of society.

Like the Earth not being the centre of the solar system or universe and the Earth not being flat, modern 21st century science recognises that it is a bit more complicated than women being at the centre of everything. Why does such an outdated and questionable concept like Briffault’s Law gain traction within sizeable communities of the manosphere? Men have been programmed from birth to see female approval as the mark of their worth. Mothers, sisters, female teachers, the wider culture and their female friends and partners, all inform men that their worth is tied to living up to whatever women’s preferred definition of what a man is. That’s why. It is another form of manipulation and control. In my previous article6 I wrote about precarious manhood and the social pressure on men to prove they are a “real man” and cited a video15 on the subject by Tom Golden. What was the “white feather”16 during World War One? What are messages like The End Of Men17 in the modern day? All methods to condition male identity around female approval and use precarious manhood to control men.

Naturally men have developed a perception from this programming, where they see women as the centre of the universe. This is the programming they have received their whole lives from every corner of society. That’s where this thinking comes from and the manosphere is not immune to sliding into this fatalistic line of thinking that women are the centre of everything. It is why junk concepts like Briffault’s Law still gain traction even in the manosphere. So when men like myself start writing about the fact that females do not control all the conditions of human society, some men in the manosphere perceive it as a denial of their lived experience and of their twisted and seriously flawed understanding of biological reality (which they almost never scrutinise).

It is your lived experience, it is my lived experience and the experience of every man in this gynocentric culture. I do not deny that. However even a casual observation of society shows Briffault’s law to be false. Women do not control all the conditions of society. It ain’t that simple. The fact men are conditioned from birth to assign their worth to what they do and think of themselves as expendable, does not then make them an expendable human doing any more than conditioning a human being to act like a dog makes them a dog. All it proves is that you can control how people perceive themselves by using social approval and operant conditioning. It just highlights how powerful the effects of social and psychological manipulation can be, especially when done from a young age on the target group (men and boys in this case). People are social learners and we are a social species and are susceptible to manipulation (especially when that is all we are exposed to from birth).

Men need to recognise the extent to which the lies they have been told about themselves influence their perception of themselves and of reality. Female omnipotence and male expendability are illusions our gynocentric culture uses to control men. Whilst the Myth of Male Power18 was an excellent book, an equally important book is The Manipulated Man19 by Esther Vilar. How do you convince the physically stronger sex to subordinate themselves to the physically weaker sex? Manipulation. That is the nature of the mechanism of control over men at work. How do institutions and governments exploit men whilst simultaneously relying on men to operate the system of their own exploitation? Manipulation.

Source: This excerpt taken from the longer article Gynocentrism, Sex Differences and the Manipulation of Men (Part One)

Mother of Christ

Mary Pixabay

The notion of Christianity as a ‘patriarchal religion’ might need a rethink in the light of the Virgin Mary’s culture-power and her ongoing influence on how we conceptualize women. I’m reminded of an interview with Joseph Campbell1 (perhaps the most famous expert on religions) who suggested Mary became a paramount influence from the medieval culture scheme forward. Here’s a snippet of the interview:

Mary shirts4

MOYERS: There are women today who say that the spirit of the Goddess has been in exile for five thousand years, since the…. 

CAMPBELL: You can’t put it that far back, five thousand years. She was a very potent figure in Hellenistic times in the Mediterranean, and she came back with the Virgin in the Roman Catholic tradition. You don’t have a tradition with the Goddess celebrated any more beautifully and marvelously than in the twelfth- and thirteenth-century French cathedrals, every one of which is called Notre Dame.

MOYERS: Yes, but all of those motifs and themes were controlled by males — priests, bishops — who excluded women, so whatever the form might have meant to the believer, for the purpose of power the image was in the hands of the dominant male figure.

CAMPBELL: You can put an accent on it that way, but I think it’s a little too strong because there were the great female saints. Hildegarde of Bingen — she was a match for Innocent III. And Eleanor of Aquitaine — I don’t think there is anybody in the Middle Ages who has the stature to match hers. One now can look back and quarrel with the whole situation, but the situation of women was not that bad by any means.

MOYERS: No, but none of those saints would ever become pope.

CAMPBELL: Becoming pope, that’s not much of a job, really. That’s a business position. None of the popes could ever have become the mother of Christ. There are different roles to play. It was the male’s job to protect the women.

[1] Joseph Campbell in discussion with Bill Moyers: The Power of Myth

See Also:
– Mariolatry and Gyneolatry
Auguste Comte’s Cult of Woman

Trobairitz Castelloza speaks out against sexual feudalism & gender inequality

By Douglass Galbi

Good lady, you may burn or hang him
or do anything you happen to desire,
for there’s nothing that he can refuse you,
as such you have him without any limits. [1]

A medieval Knight, with his  young lover, gets down on one  knee...        Date: First published: 1898

Men have long been sexually disadvantaged. While men’s structural disadvantages are scarcely acknowledged within gynocentric society, a small number of medieval women writers courageously advocated for men. In Occitania early in the thirteenth century, the extraordinary trobairitz Lady Castelloza spoke out boldly against gender inequality in love and men having the status of serfs in sexual feudalism.

And if she tells you a high mountain is a plain,
agree with her,
and be content with both the good and ill she sends;
that way you’ll be loved.

{ e s’ela.us ditz d’aut puoig que sia landa,
vos l’an crezatz,
e plassa vos lo bes e.l mals q’il manda,
c’aissi seretz amatz. } [2]

Just as is the case for many women today, many medieval women didn’t adequately support and defend men. When Giraut de Bornelh asked his lovely friend Alamanda about his love difficulties, she advised him to be totally subservient to his lady. Alamanda was a maiden to that lady. Lord Giraut apparently had lost his lady’s love by seeking sex with a woman who was not her equal, probably none other than her maiden Alamanda. But what had that lady done to him? She had lied to him at least five times before! When women speak, men should not just listen and believe. Unwillingness to question a woman led a Harvard Law professor to personal disaster. Men should not act as doormats for women or as women’s kitchen servants.

The trobairitz Maria de Ventadorn insisted to Gui d’Ussel that a woman should retain her superior position even in a love relationship with a man. Gui felt that men and women in love should be equals. But Maria wanted men to fulfill all the pleas and commands of their lady-lovers. That’s the pernicious doctrine of yes-dearism. Just say no to female supremacists!

Lady {Maria de Ventadorn}, among us they say
that when a lady wants to love,
she should honor her love on equal terms
because they are equally in love.

Gui d’Ussel, at the beginning, lovers
say no such thing;
instead, each one, when he wants to court,
says, with hands joined and on his knees:
“Lady, permit me to serve you honestly
as your servant man” and that’s the way she takes him.
I rightly consider him a traitor if, having given
himself as a servant, he makes himself an equal.

{ Dompna, sai dizon de mest nos
Que, pois que dompna vol amar,
Engalmen deu son drut onrar,
Pois engalmen son amoros!

Gui d’Uissel, ges d’aitals razos
Non son li drut al comenssar,
Anz ditz chascus, qan vol prejar,
Mans jointas e de genolos:
Dompna, voillatz qe-us serva franchamen
Cum lo vostr’om! et ella enaissi-l pren!
Eu vo-l jutge per dreich a trahitor
Si-s rend pariers e-s det per servidor. } [3]

immixtio manuum: feudal homage

Because of their great love for women, men are reluctant to demand that women treat them with equal human respect and dignity. Men tend toward gyno-idolatry. The man on his knees before a woman, with his hands clasped, is making a gesture of faithful subordination. She then puts her hands around his hands to complete this feudal gesture known as the immixtio mannum {intermingling of hands}. A man today who goes down on his knee to ask a woman for her hand in marriage is preparing to be a vassal to his woman-lord midons. That’s folly. That’s fine preparation for a sexless marriage. From studying Ovid the great teacher of love to modern empirical work on sexual selection, men should know that self-abasement is a losing love strategy.

Oh Love, what shall I do?
Shall we two live in strife?
The griefs that must ensue
would surely end my life.
Unless my Lady might
receive me in that place
she lies in, to embrace
and press against me tight,
her body, smooth and white.

Good Lady, thank you for
your love so true and fine;
I swear I love you more
than all past loves of mine.
I bow and join my hands
yielding myself to you;
the one thing you might do
is give me one sweet glance
if sometime you’ve the chance.

{ Amors, e que.m farai?
Si garrai ja ab te?
Ara cuit qu’e.n morrai
Del dezirer que.m ve,
Si.lh bela lai on jai
No m’aizis pres de se,
Qu’eu la manei e bai
Et estrenha vas me
So cors blanc, gras e le.

Bona domna, merce
Del vostre fin aman!
Qu’e.us pliu per bona fe
C’anc re non amei tan.
Mas jonchas, ab col cle,
Vos m’autrei e.m coman;
E si locs s’esdeve,
Vos me fatz bel semblan,
Que molt n’ai gran talan! } [4]

The medieval trobairitz Castelloza sympathized with men’s subordination in love. She loved a man who didn’t love her. A woman today in such a situation might open a dating app and enjoy a huge number of solicitations from men. Then, if necessary to boost her self-esteem, she might go for sexual flings with a few, or at least exploit traditional anti-men gender dating roles to get some free dinners. With a keen sense for social justice, Castelloza refused to live according to such female privilege:

I certainly know that it pleases me,
even though people say it’s not right
for a lady to plead her own cause with a knight,
and make long speeches all the time to him.
But whoever says this doesn’t know
that I want to implore before dying,
since in imploring I find sweet healing,
so I plead to him who gives me grave trouble.

{ Eu sai ben qu’a mi esta gen,
Si ben dison tuig que mout descove
Que dompna prec ja cavalier de se,
Ni que l tenga totz temps tam lonc pressic,
Mas cil c’o diz non sap gez ben chausir.
Qu’ieu vueil preiar ennanz que.m lais morir,
Qu’el preiar ai maing douz revenimen,
Can prec sellui don ai greu pessamen. } [5]

Castelloza recognized that, in pleading with a man for love, she was transgressing the norms of men-oppressing courtly love. When women treat men merely as dogs, women don’t experience the full gift of men’s tonic masculinity. The master dehumanizes herself in dehumanizing her man-slaves. Castelloza, in contrast, understood that a man’s love can ennoble a woman. She understood that a man can offer much to even the most privileged woman.

I’m setting a bad pattern
for other loving women,
since it’s usually men who send
messages of well-chosen words.
Yet I consider myself cured,
friend, when I implore you.
for keeping faith is how I woo.
A noble women would grow richer
if you graced her with the gift
of your embrace or your kiss.

{ Mout aurei mes mal usatge
A las autras amairitz,
C’hom sol trametre mesatge,
E motz triaz e chauzitz.
Es ieu tenc me per gerida,
Amics, a la mia fe,
Can vos prec — c’aissi.m conve;
Que plus pros n’es enriquida
S’a de vos calqu’aondansa
De baisar o de coindansa. } [6]

Men’s lack of imagination and unwillingness to protest helps to keep them in their gender prison of gynocentrism. Men rightly appreciate, admire, and love courageous, transgressive women like the trobairitz Castelloza. But men must take responsibility for winning their own liberation. A man showing loving concern about his close friend getting married isn’t enough. Men should be more daring and, like Matheolus, raise stirring voices of men’s sexed protest. Men Going Their Own Way (MGTOWs) struggled against misandry and castration culture even in the Middle Ages, and they continue to do so today. MGTOW is merely prudent personal action. To dismantle gynocentric oppression, men must recover, create, and disseminate protest poetry as potent as the medieval troubadours’ feudal songs of men’s love serfdom.

Peire, if spanning two or three years
the world were run as would please me,
I’ll tell you how with women it would be:
they would never be courted with tears,
rather, they would suffer such love-fears
that they would honor us,
and court us, rather than we, them.

{ Peire, si fos dos ans o tres
Lo segles faihz al meu plazer,
De domnas vos dic eu lo ver:
Non foran mais preyadas ges,
Ans sostengran tan greu pena
Qu’elas nos feiran tan d’onor
C’ans nos prejaran que nos lor. } [7]

*  *  *  *  *

Notes:

[1] { Bona domna, ardre.l podetz o pendre,
o far tot so que.us vengua a talen,
que res non es qu’el vos puesca defendre,
aysi l’avetz ses tot retenemen. }

Donna and Donzela, “Bona domna, tan vos ay fin coratge” ll. 17-20, Occitan text and English translation (modified insubstantially) from Bruckner, Shepard & White (1995) pp. 92-3. Here’s some meta-data about this trobairitz song. It’s a debate poem (tenso). The currently best critical edition of trobairitz / troubadour tensos is Harvey, Paterson & Radaelli (2010), but it’s expensive and not widely available. For analysis of the genre of tenso, McQueen (2015).

[2] Alamanda and Giraut de Bornelh, “S’ie.us qier conseill, bella amia Alamanda” ll. 13-16, Occitan text and English translation from Bruckner, Shepard & White (1995) pp. 42-3.

[3] Maria de Ventadorn and Gui d’Ussel, “Gui d’Ussel be.m pesa” ll. 25-8, 33-40, Occitan text and English translation (modified insubstantially) from Bruckner, Shepard & White (1995) pp. 38-41. This poem is also available in translation in Paden & Paden (2007). The immixtio manuum isn’t attested prior to 1100. West (2013) p. 211.

[4] Bernart de Ventadorn, “Pois preyatz me, senhor” ll. stanzas 4 & 6, Occitan text and English translation by W.D. Snodgrass from Kehew (2005) pp. 84-5. The Poemist offers online the full text and English translation.

[5] Na {Lady} Castelloza, “Amics, s’ie.us trobes avinen” ll. 17-24 (stanza 3), Occitan text from Paden (1981), English trans. (modified) from Paden & Paden (2007). Bruckner, Shepard & White (1995) provides a slightly different Occitan text and English translation of all of Castelloza’s songs. Butterfly Crossingsprovides an online Occitan text and English translation of the full song, with commentary. Her commentary puts forward orthodox myth in service of gynocentrism:

by virtue of being a woman she is below him socially, thus rendering her statement simultaneously true and drawing attention to the place of women in society as opposed to the artificial pedestal they sit upon in traditional Troubadour poems. Regardless of her title, class, or wealth, in love, much like in life, the woman is beneath the man and must beg his favor like Castelloza here does.

Yup, so Anne of France was beneath day-laboring men gathering stones in fields.

Much influential recent scholarship on trobairitz has been based on dominant gender delusions. A relevant critique:

Gravdal’s argument here is based on her assumption that, for the men, powerlessness is a pose, a rhetorical strategy; the male speaker adopts an abased position only to use it as a springboard to higher status and sociopolitical clout. That Castelloza’s speaker does this as well is frequently overlooked, because it is assumed that for the women, powerlessness is a reality. This assumption is not supported by the evidence for noblewomen’s sociopolitical situation in Occitania during the time of the trobairitz.

Langdon (2001) p. 40.

[6] Castelloza, “Mout avetz faich lonc estatge” ll. 21-30 (stanza 3), Occitan text from Paden (1981), English trans. (modified) from Paden & Paden (2007). Butterfly Crossings again offers the full song, along with commentary. The commentary shows orthodox academic failure of self-consciousness:

Almost smirkingly Castelloza acknowledges that her behavior sets a terrible example for all other female lovers while synchronously encouraging them to do the same. She is not apologizing as much as drawing attention to the solidarity between women who will now partake in this perhaps liberating behavior and act upon their desires as opposed to remaining within the confined roles of passive love interests.

Women unite in liberating behavior: ask men out and buy men dinner!

In Castelloza’s songs, the man she loves has neither voice nor activity. Siskin & Storme (1989) pp. 119-20. Self-centeredness is a common characteristic of women’s writing, particularly in the last few decades of literary scholarship.

[7] Peire d’Alvrnha (possibly) and Bernart de Ventadorn, “Amics Bernartz de Ventadorn,” stanza 4, Occitan text from Trobar, my English translation benefiting from that of Rosenberg, Switten & Le Vot (1998). James H. Donalson provides an online Occitan text and English translation for the full song.

Bernart de Ventadorn was one of the greatest troubadour love poets. His desire for women to experience men’s subordinate position in love is coupled with appreciation for gender equality and reciprocity in love:

The love of two good lovers lies
in pleasing and in yearning’s thrill
from which no good thing will arise
unless they match each other’s will.
The man was born an imbecile
who scolds her for her preference
or bids her do what she resents.

{ En agradar et en voler
es l’amors de dos fi?s amants;
nulha res no·i pòt pro? tener
se·l volontatz non es egals.
E cell es be? fols naturals
qui de çò que vòl la reprend
e·ilh lauza çò qu no·ilh es gent }

“Chantars no pot gaire valer,” Occitan text and English trans. (modified insubstantially) from A.Z. Foreman. For an alternate English translation, Paden & Paden (2007) pp. 74-5. While Bernart here unequally criticizes men, in an earlier stanza her criticized women whoring in loving men.

[images] (1) *Replacing the author’s original image with this paid stock image from Alamy [Peter Wright]. (2) Immixtio manuum: Feudal tenant show faithful subordination to a procurator of King James II of Majorca in Tautaval. Illumination made in 1293. Preserved as Archives Départementales de Pyrénées-Orientales 1B31.

References:

Bruckner, Matilda Tomaryn, Laurie Shepard, and Sarah White, eds. and trans. 1995. Songs of the Women Troubadours. New York: Garland.

Harvey, Ruth, Linda M. Paterson, and Anna Radaelli. 2010. The Troubadour Tensos and Partimens: a critical edition. Cambridge: Brewer.

Kehew, Robert, ed. 2005. Lark in the Morning: the Verses of the Troubadours: a bilingual edition. Chicago, Ill: University of Chicago Press.

Langdon, Alison. 2001. “‘Pois dompna s’ave/d’amar’: Na Castellosa’s Cansos and Medieval Feminist Scholarship.” Medieval Feminist Forum 32: 32-42.

McQueen, Kelli. 2015. That’s Debatable!: Genre Issues in Troubadour Tensos and Partimens. Thesis for Degree of Master of Music. Theses and Dissertations. Paper 819. The University of Wisconsin-Milwaukee.

Paden, William D. 1981. “The Poems of the Trobairitz Na Castelloza.” Romance Philology. 35 (1): 158-182.

Paden, William D., and Frances Freeman Paden, trans. 2007. Troubadour Poems from the South of France. Cambridge: D. S. Brewer.

Rosenberg, Samuel N., Margaret Louise Switten, and Gérard Le Vot. 1998. Songs of the Troubadours and Trouvères: an anthology of poems and melodies. New York: Garland Pub.

Siskin, H. Jay and Julie A. Storme. 1989. “Suffering Love: The Reversed Order in the Poetry of Na Castelloza.” Ch. 6 (pp. 113-127) in Paden, William D., ed. The Voice of the Trobairitz: perspectives on the women troubadours. Philadelphia: University of Pennsylvania.

West, Charles. 2013. Reframing the Feudal Revolution: political and social transformation between Marne and Moselle, c. 800 – c. 1100. Cambridge: Cambridge Univ. Press.

*Reposted by creative commons licence.