Joseph Campbell on chivalry

An Interview with mythologist Joseph Campbell on the topic of chivalry, with Bill Moyers:

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Moyers: So the age of chivalry was growing up as the age of romantic love was reaching out?

Campbell: The Middle Ages was a strange period because it was terribly brutal. There was no central law. Everyone was on his own, and, of course, there were great violations of everything. But within this brutality there was a civilizing force which the women really represented because they were the ones who established the rules for this game.

Moyers: How did it happen that the women had the dominant influence?

Campbell: Because if you want to make love to a woman, she’s already got the drop on you. The technical term for a woman’s granting of herself was merci; the woman grants her merci. Now, that might consist in her permission for the man to kiss her on the back of the neck once every Whitsuntide, you know, something like that – or it may be a full giving in love. That would depend upon her estimation of the character of the candidate… The essential idea was to test this man to make sure that he would suffer things for love, and that this was not just lust.

Moyers: Joseph, that may have emerged in the troubadour period, but it is still alive and well in East Texas.

Campbell: That’s the force of this position. It originated in twelfth century Provence, and you’ve got it now in 20th century Texas.

Moyers: Its been shattered of late, I have to tell you that. I mean, I’m not sure that it’s as much of a test as it used to be.

Campbell: The tests that were given then by women involved, for example, sending a chap out to guard a bridge. The traffic in the Middle Ages was somewhat encumbered by these youths guarding bridges. But also the tests included going into battle. A woman who was too ruthless in asking her lover to risk a real death before she would acquiesce in anything was considered sauvage or “savage”. Also, the woman who gave herself without the testing was “savage”. There was a very nice psychological estimation game going on here. [From – The Power of Myth].

Joseph Campbell on courtly love

Susan Sarandon introduces the following lecture by Joseph Campbell on the topic of chivalry and courtly-love as they took shape in the Middle Ages.

susan-sarandon-picture-5Susan Sarandon: “We like to think that romantic love is an idea as old as humanity. But it was only in the twelfth century AD that this concept appeared suddenly, not only in Europe, but in Islam and in India and the courts of East Asia. To quote Joe Campbell, for one brief shining moment in every castle in the world from the English Channel to the Persian gulf and the Sea of Japan, the one song was variously ringing the liege-man of love. Chrétien de Troyes was one of the great troubadours of this new song; he was the court poet to Marie de Champagne who ruled as the Queen Regent of France from 1181 to 1187 gathering around her the greatest poets of the age and inspiring a humanistic flowering that would lead in centuries to come to the renaissance.”

imagesJoseph Campbell: “Our particular topic today is one that I think can serve to guide us from the general universal themes of myth into the material specifically of the European consciousness which we inherit. The period of the Authurian and Grail romances is dated almost precisely from 1150 to 1250 AD. And in the historical context of this second great phase of occidental culture (the first phase being that of the Greco-Roman periods starting with the Homeric epics) the period of the Authurian romances is the counterpart for the Gothic and modern worlds of the Homeric period for the Greco-Romans. That is to say, it is in that period that the main themes are stated and developed in terms of culture values and the spiritual dimension. The great works appear suddenly and this is the remarkable thing about the dawn of civilizations: within 200 years the whole thing is there and it wasn’t there before.”

A male-positive approach to English literature

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A Male-Positive Introduction to the Victorian Manhood Question
By Dennis Gouws

The new male studies offer an affirmative alternative to traditional gender scholarship on boys and men. Unlike pervasive men’s-studies research, male studies inquiries are essentially male positive: their methodologies not only celebrate men who embody different masculinities, but also critique —and suggest strategies for overcoming— systemic inhibitors of masculine affirmation. Misandric constructions of masculine identities in gynocentric educational environments have resulted in males experiencing serious education deficits. This paper reports on a qualitative study undertaken in a British-Literature course on Victorian Manhood that offered students a male-positive approach to understanding the texts and their contexts and that solicited their written feedback on what they had learned from this experience.

The Victorian Manhood Question
Since the fourteenth century, men’s identities and conduct had been conceived of as a question of manhood; manhood had elucidated men’s difference from women and boys, men’s sexuality, men’s duty to society, and men’s courage. Manhood, moreover, had traditionally been contingent, a reputation that a man had to attain and maintain. In newly industrial nineteenth-century Britain, the manhood question considered traditional and new ways a man might grow into and sustain a meaningful, productive, and commendable type of manhood.3 My Victorian manhood question course examined these traditional and new ways of attaining and sustaining manhood within four topics: first, contending manhood identities in George eliot’s Adam Bede,( a novel set in the early nineteenth century when proto-industrial manhood began to contend with gentlemanliness as the measure of a man); second, industrial manhood (which examined debates by Thomas Carlyle, Thomas Babbington Macaulay, and Karl engels the consequences for men of submitting themselves to be labor as manufacturing tools); third, artistic manhood (which examined works by John ruskin, Matthew Arnold, D. G. Rossetti, Walter Pater, and Oscar Wilde that explored art’s role as moral edifier, social unifier, or antagonist to industrialization), and finally, imperial manhood (including W.E. Henley’s “Invictus” and Kipling’s “If—” which encouraged male stoicism in the name of empire building). Throughout the course students were encouraged to consider the extent to which the question of manhood had changed or stayed the same for men in the twenty-first century.

What Students Claim to Have Learned from the Course
Male-and-female-student-read-book-via-ShutterstockI offered an end-of-the semester summative assessment that asked the twenty-two participating students to write about their most important lesson, concept, or experience gained from the course, and I used their papers as the basis for a qualitative study of what they had learned from this male positive educational experience. To encourage the students to express themselves freely, I graded this assignment only on whether the work had been satisfactorily completed, not on what was reported: students who adequately completed the assignment were given full credit for it. For the study I grouped their papers into three categories: first, those safe, stock responses that merely reiterated either points made in class or traditional gender-studies commonplaces (five students chose to write those); second, those papers that demonstrated their authors’ ability to undertake a male-positive approach to understanding manhood in both the texts we read and broader socio-historical contexts (thirteen students wrote such papers); and finally, those works that bore witness to their authors’ decision to embrace aspects of a male-positive philosophy, one that celebrates masculinities, critiques their construction, and potentially resists pervasive gynocentric and misandric representations of men (four students’ work provided such evidence). I will only discuss those student responses from the latter two categories because they offer clear evidence that this course successfully enabled more than three-quarters of the students to understand and apply the salient concepts of the course to the literature, its respective contexts, and their lives.

Among the respondents who successfully applied a male-positive approach to the texts and their broader contexts, both women and men commented on the normative gynocentrism they experienced in literature classes. Janey, for example, marvelled that the course enabled her, “to look at gender roles in a different way.” Moreover, she noted that “literature… isn’t all about women,” that after “analyzing women’s roles in literature for the majority of the time [she] has been studying English, it was refreshing to focus on something new.” Mickey similarly noted that “it is refreshing to have the male gender” studied “in a positive light,” that “the texts… read throughout the course… were a refreshing change from the norm.” Both genders also commented on how misandric assumptions pervade our society: Elsie remarked that the course successfully “allowed [her] to see that men shouldn’t always be seen in a negative way as today’s society tells us we should” and roger noted that Kipling’s advocating for stoicism in the face of adversity in “The White Man’s Burden” “stands for the greater burden of all men [commonly and regularly] portrayed in the media.” Women and men, however, differed in their reactions to this misandry: the former were surprised at the profundity of the social pressures and the responsibilities inherent in the manhood question and the latter felt vindicated that their experience was being afforded dignified recognition. Ella appreciated learning about the “the duties and pressures different cultures and time periods put on men”; moreover, she came to appreciate that “men have always displayed tremendous effort to help others besides themselves.” Christine acknowledged the inadequacy of her “stereotypical view of men” to account for the complexity inherent in male-positive criticism: she concluded that as a result of examining “the manhood question, and defining manhood,” she now understood that “a man is very multidimensional.”

Among the male students, Theo remarked on the “enormous pressure on men to live up to [society’s moral] standards”; in addition he appreciated that “respecting these pressures and treating men with dignity” was inherent “in a male-positive approach” to literature. Sam also noted, that “very few people take the time or effort to consider how the men in society are perceived and the pressures that are placed on them”; he was grateful that the course afforded him “a deeper and more cultured understanding of [manhood and masculinity]—something he “thought” he had “figured out.” Sam concluded with satisfaction, “that is all you can really ask for from a class.” These male students clearly felt pleased that the course had respectfully addressed their educational needs. Unique to the men’s responses to the course was an appreciation of both the male-appropriate content of the course—evident in those readings that sought better to understand men’s experiences— and the interest that the course stimulated. after remarking that “there is a lot of pressure put on a man to fit [socially determined, changing roles], Kelvin, for example, discovered that “it’s through literature that we can understand the thoughts and feelings [a] man has [when] he undergoes scrutiny which truly defines [his] manhood and masculinity,” and Adrian concurred that the central issues of the Victorian Manhood Question, “are qualities we [men] still hold onto [and] try and mold ourselves accordingly… because of all of the success” that accompanies them. These men certainly understood that the course encouraged a greater understanding of men’s experience of the social pressures inherent in the manhood question in both the Victorian era and the twenty-first century. Three students praised the male-oriented literature and male-positive approach to it for effectively generating interest in the course topics: Charles remarked that the course “was more interesting to [him] than most literature courses” because it “focused on… masculinity and literature” and this “allowed [him] to learn more because [it] avoided the drollness of most literature course” and “allowed [him] to think more open-mindedly about literature than most courses offered” at the college. roger concurred, praising the course for offering “something more relatable [to him], mak[ing] things much more interesting and keep[ing him] engaged.”

Among the three men who valued the course for being interesting was one who saw similarities between the male-positive aspects of this approach to manhood and his personal struggle with his work ethic and self-confidence. Collin noted that the topic of Victorian manhood “gave the course an interesting twist that made it enjoyable.” He candidly acknowledged: “I have struggled with selfconfidence in all areas of my life,” and in the process of working hard to improve [his] self-confidence, he came to “agree with the Victorian concept that hard work and confidence prove a person’s manhood.” Collin clearly saw the benefits of a male-positive approach to understanding his own experience and was one of four to adopt aspects of its philosophy as his own. Like Collin these students understood that there are similarities between the laudable struggles of Victorian men to attain and sustain manhood and their own twenty-first-century struggles. Nat, for example, noted how lessons learned in the class —and particularly the strong male character in Henley’s “Invictus”— will “allow [him] to be a better man” and “attain manhood.” Two students, however, took their male-positive involvement further: choosing to commit themselves both to adopting a male-positive philosophy in their work and their lives and to critiquing and resisting the misandry they encountered. Ted recognized how the gynocentric nature of his education had caused him to internalize misandric ways of thinking about men. He remarked that misandry, “is similar to the mindset… present in previous courses [he had taken]”; moreover, he felt, “finally to take a class that focused on the elimination of [misandry] was [both a relief] and enlightening.” Ted shared the following reflection: “I was very interested to see how my thoughts about men had been tinted/shaded from past classes, and I was eager to try and eliminate this type of thought process. This aspect of the course educated me on how to look at men and comment on their actions without coloring my thoughts with a bitter tone.”

Alex similarly adopted a male-positive attitude to his educational experience and his extracurricular life, striving for a persistent healthy resistance to the gynocentrism he had encountered in class and at home. “Throughout my life I had never really thought about a male positive approach to anything” Alex remarked; “this class has really taught me to look at stories through multiple lenses because I will always read and analyze stories with a slight male-negative view out of habit, but now I know to stop and look at the same story from a male-positive view in classes and in life.” In sum, alex committed himself to becoming what he succinctly expressed as “a better me based on what I want and not on what others project onto me.” Collin, nat, Ted, and Alex demonstrated through their thoughtful work that carefully accommodating male students in literature courses can have profoundly positive impacts on their lives.

Conclusions
From this teaching experience I offer two interesting observations: first, men of varying levels of academic preparation and commitment to studying literature (reflected in their final course grades) benefitted from a male-positive approach to Victorian literature. The students who either successfully undertook male-positive readings of the texts and their context or chose to adopt a male-positive philosophy represented various levels of academic achievement (their course grades ranged from a though d+). Indeed, those male students who had found the concepts taught in this course sufficiently useful to adopt a male-positive philosophy were men who experienced different levels of academic success in the course. second, only male students were in the latter category of male-positive adopters. no women in the class demonstrated a commitment to future allied behavior. This qualitative study suggests that a male-positive approach to teaching literature —and other courses— could beneficially engage men in exploring their identities through literature and in all aspects of their lives; this approach could also help them build the confidence to demand environments that would succeed academically. doing that would require them to challenge the gynocentric bias they encounter in academic environments. Moreover, adopting a male-positive approach would not disadvantage women students; they performed as well as the men on the assessments in this Victorian Manhood course. although none committed herself to male-positive allied behavior, the women in the class gained a better understanding of men’s identities and an appreciation of the costs and benefits inherent in males’ negotiations of the manhood question.

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Addendum: The New Male Studies and a Male-Positive Approach to Reading Literature
The new male studies offer an affirmative alternative to traditional gender scholarship on boys and men. Unlike pervasive men’s-studies research, which is fundamentally informed by feminisms, male studies inquiries are essentially male positive: their methodologies not only celebrate men who embody different masculinities, but also critique —and suggests strategies for overcoming— systemic inhibitors of masculine affirmation. Moreover, the precepts informing male-positive methodologies also differ from customary patriarchal assumptions: rather than concerning themselves with what men want for women and for other subordinated men, male studies explore what men want for themselves. The practice of male studies involves acutely attending to how masculinities are inscribed in texts, textual criticism, and pedagogy. In much Western culture, misandric and gynocentric value judgments have profoundly hindered boys’ and men’s wellbeing; for example, reductive chivalric and patriarchal stereotypes; which regard males as little more than pleasers, placaters, providers, protectors, and progenitors; have designated the male body primarily as an instrument of service rather than lauding it as the dignified embodiment of a sentient boy or a man.1 Similar misandric constructions of masculine identities in gynocentric educational environments —particularly those that imagine maleness is in crisis or in need of a cure— have resulted in males experiencing serious education deficits.3

Men are increasingly underrepresented in higher education: Peg Tyre reports that, “[in] 2005,… 57.2 percent of the undergraduates enrolled in american colleges and universities were women,” that “women are [now] better educated” than men, and that “[at] present, 33 percent of women between twenty-five and twenty-nine years of age hold a four-year degree compared to 26 percent of men” (Trouble 32). data from a 2010 report published by the national Center for education statistics (NCES) updates these percentages to thirty-five percent of women and twenty-seven percent of men (aud et al. 214).4 a 2008 american association of University Women report on girls’ performance in education notes that women have earned more bachelor degrees than men since 1982, and that women earned approximately fifty-eight percent of all the bachelor degrees conferred in 2005-2006 (Corbett et al. 55, 62). In 2007-2008, women earned sixty-two percent of associate’s degrees, fifty-seven percent of bachelor’s degrees, sixty-one percent of master’s degrees, and fifty-one percent of doctoral degrees (aud et al. 216). At recent conferences and in the recently launched New Male Studies: An International Journal, scholars have begun to challenge misandric stereotypes and to remedy gynocentric educational biases by applying male-positive methods to textual analysis and teaching practice. I recently designed and taught a course on the Victorian Manhood Question that adopted celebratory and critical male-positive teaching strategies; most students demonstrated that they had understood how misandry and gynocentrism adversely influence not only representations of men and manhood, but also males’ lives; in addition, some even resolved to resist these negative representations whenever they encountered them in literature and in their lives.

Note on this paper
Affiliated with the Modern Language Association of America, the Northeast Modern Language Association (NeMLA) hosts an annual conference primarily for scholars working in the Northeastern United states and Canada. Papers are presented on topics concerning various languages, their literatures, and their pedagogies. In addition, NeMLA supports special-interest caucuses that both investigate certain challenges faced by those working in academe and organize conference panels that address these challenges. among these groups is the Women’s and Gender studies Caucus that, according to its web page, “welcomes members interested in feminist scholarship, women’s and gender studies, and the status of women in the profession at all stages of their careers.” NeMLA does not currently maintain a men’s caucus. Above is one of three papers presented by members of the staff of New Male Studies at the 44th annual NeMLA convention held in Boston, Massachusetts, on March 22, 2013, hosted by Tufts University. The other two papers are included in this issue (see NMS issue below). Each paper offers practical examples of male-friendly strategies that enhance critical inquiry and teaching methods. They comprised a panel, “The new Male studies in Praxis: Male-Positive Criticism and Classroom Practice,” that was initially proposed by one of the presenters (Dennis Gouws) as either a pedagogy or a women’s and gender-studies panel and was accepted as one among nineteen pedagogy panels. Twenty-eight women’s and gender studies panels were accepted.

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Footnotes
1. Nathanson and Young’s examinations of assumptions about men in western culture persuasively demonstrate how misandry and gynocentrism collude to disadvantage men in popular culture, legal discourse, and contemporary spiritualism. although written more than a decade ago, the first work in the series, Spreading Misandry, effectively models an acute critical attentiveness to negative inscriptions of masculinities in popular culture. In spite of differing on the importance of literary texts to the development of chivalry, nigel saul and Maurice Keen acknowledge the influence of gynocentric values on Chivalry. Keen observes “The conception that chivalry forged of a link between the winning of approbation by honorable acts and the winning of the heart of a beloved woman also proved to be both powerful and enduring; western culture has never since quite shaken itself free of it” (249-50); Warren Farrell explores the contemporary remnants of this conception in his discussion of The Chivalry Factor. The chivalry debate in recent popular essays by emily esfahani smith, Mark Trueblood, and Peter Wright offers vivid testimony of its topicality in the twenty-first century.
2. In addition to Peg Tyre’s work discussed below, see Christina Hoff Summers, chapter seven, “Why Johnny Can’t, Like read.” The updated and revised edition of this book; due to be published in august, 2013; pays more attention to the male-hostile educational environment and offers some suggestions to make the educational experience more boy friendly.
3. Herbert sussman and John Tosh have produced thoughtful, but not necessarily male-positive, scholarship on nineteenth-century British manhood. This field offers many productive opportunities for new male studies research.

References

-Aud, Susan, Hussar, William, Planty, Michael, Snyder, Thomas, Bianco, Kevin, Fox, Mary Ann, Frohlich, Lauren, Kemp, Jana, Drake, Lauren. The Condition of Education 2010 (NCES 2010-028). National Center for education statistics, Institute of education sciences, U.s. department of education. Washington, dC, 2010. Print.

-Corbett, Christianne, Catherine Hall, and andresse st. rose. Where the Girls Are: The Facts about Gender Equity in Education Washington d.C.: aaUW education Foundation, May 2008. Print.

-Esfahani smith, emily. “Let’s Give Chivalry another Chance.” The Atlantic. 10 december 2012. Web. 24 March 2013.

-Farrell, Warren. The Myth of Male Power: Why Men Are the Disposable Sex. new York: Berkley Books, 1994. Print.

-Hoff sommers, Christina. The War Against Boys: How Misguided Feminism Is Harming Our Young Men. new York: Touchstone Books, 2000. Print.

-Keen, Maurice. Chivalry. new Haven and London: Yale University Press, 1984. Print.

-Nathanson, Paul and Katherine K. Young. Spreading Misandry: The Teaching of Contempt for Men in Popular Culture. Montreal and Kingston: McGill-Queen’s University Press, 2001. 2006. Print.

-Saul, Nigel. Chivalry in Medieval England. Cambridge, Ma, 2011. Print.

-Springfield College Victorian Manhood essays. spring, 2011. Print.

-Sussman, Herbert. Victorian Masculinities: Manhood and Masculine Poetics in Early Victorian Literature and Art. Cambridge and new York: Cambridge University Press, 1995. 2008. Print.

-Tosh, John. A Man’s Place: Masculinity and the Middle-Class Home in Victorian England. new Haven: Yale University Press, 1999. Print.

-Trueblood, Mark. “do you want chivalry or equality? Yes?” A Voice for Men. 10 January 2013.Web. 24 March 2013.

-Tyre, Peg. The Trouble with Boys: A Surprising Report Card on Our Sons, Their Problems at School, and What Parents and Educators Must Do. new York: Crown Publishers, 2008. Print.

-Wright, Peter. “The rise of Chivalric Love: The Power of shame.” A Voice for Men. 30 March 2013. Web. 4 april 2013.

 
DennisDennis Gouws is Professor of English at Springfield College and Director of Arts and Education at the Australian Institute of Male Health and Studies. His recent publications include “Orientalism and David Hockney’s Cavafy etchings: Exploring a Male-Positive Imaginative Geography” in The International Journal of the Arts in Society (Vol. 6.6, 2012); and “Boys and Men Reading Shakespeare’s 1 Henry 4: Using Service-Learning Strategies to Accommodate Male Learners and to Disseminate Male-Positive Literacy” in Academic Service-Learning Across Disciplines: Models, Outcomes, and Assessment (2012).

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SOURCE: NEW MALE STUDIES: AN INTERNATIONAL JOURNAL ~ ISSN 1839-7816 ~ VOL. 2, ISSUE 2, 2013 PP. 68-74 © 2013 AUSTRALIAN INSTITUTE OF MALE HEALTH AND STUDIES Reproduced here with permission.

Modesta Pozzo: gynocentrism in 1590

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Modesta Pozzo, a protofeminist living in the 1500s in Venice wrote a gynocentric work entitled The Worth of Women: their Nobility and Superiority to Men. The work purportedly records a conversation among seven Venetian Noblewomen that explores nearly every aspect of women’s experience in both theoretical and practical terms. The following excerpts begin with comments by one of the women, Corinna:

Line breakCorinna said: “Helena has not managed to prove anything except that men do have some merits when they are married — which is to say, when they are united with a wife. Now that I don’t deny, but without that help from their wives, men are just like unlit lamps: in themselves, they are no good for anything, but, when lit, they can be handy to have around the house. In other words, if a man has some virtues, it is because he has picked them up from the woman he lives with, whether mother, nurse, sister, or wife — for over time, inevitably, some of her good qualities will rub off on him. Indeed, quite apart from the good examples women provide for them, all men’s finest and most virtuous achievements derive from their love for women, because, feeling themselves unworthy of their lady’s grace, they try by any means they can to make themselves pleasing to her in some way. That men study at all, that they cultivate the virtues, that they groom themselves and become well-bred men of the world –in short, that they finish up equipped with countless pleasing qualities– is all due to women.”

Virginia said: “If it is true what you say, and men are as imperfect as you say they are, then why are they our superiors on every count?”

Corinna replied: “This pre-eminence is something they have unjustly arrogated to themselves. And when it’s said that women must be subject to men, the phrase should be understood in the same sense as we are subject to natural disasters, diseases, and all the other accidents of life: it’s not a case of being subject in the sense of obeying, but rather of suffering an imposition; not a case of serving them, but rather of tolerating them in a spirit of Christian charity, since they have been given to us by God as a spiritual trial. But they take the phrase in the contrary sense and set themselves up as tyrants over us, arrogantly usurping that domination over women that they claim is their right, but which is more properly ours. For don’t we see that men’s rightful task is to go out to work and wear themselves out trying to accumulate wealth, as though they were our factors or stewards, so that we can remain at home like the lady of the house directing their work and enjoying the profit of their labors? That, if you like, is the reason why men are naturally stronger and more robust than us — they need to be, so they can put up with the hard labor they must endure in our service.”

Leonora said: “A woman, when she is segregated from male contact, has something divine about her and can achieve miracles, as long as she retains her natural virginity. That certainly isn’t the case with men, because it is only when a man has taken a wife that he is considered a real man and that he reaches the peak of happiness, honor, and greatness. The Romans in their day did not confer any important responsibilities on any man who did not have a wife; they did not allow him to take up a public office or to perform any serious duties relating to the Republic. Homer used to say that men without wives were scarcely alive. And if you want further proof of women’s superior dignity and authority, just think about the fact that if a man is married to a wise, modest, and virtuous woman, even if he is the most ignorant, shameless, and corrupt creature who has ever lived, he will never, for all his wickedness, be able to tarnish his wife’s reputation in the least. But if, through some mischance, a woman is lured by some persistent and unscrupulous admirer into losing her honor, then her husband is instantly and utterly shamed and dishonored by her act, however good, wise, and respectable he may be himself — as if he depended on her, rather than she on him. And indeed, just as a pain in the head causes the whole body to languish, so when women (who are superior by nature and thus legitimately the head and superior of their husbands) suffer some affront, so their husbands , as appendages and dependents, are also subject to the same misfortune and come to share in the ills of their wives as well as in their good fortune.”

Leonora said: “Do you not really believe that men do not recognize our worth? In fact they are quite aware of it, and, even though envy makes them reluctant to confess this in words, they cannot help revealing in their behavior a part of what they feel in their hearts. For anyone can see that when a man meets a woman in the street, or when he has some cause to talk to a woman, some hidden compulsion immediately urges him to pay homage to her and bow, humbling himself as her inferior. And similarly at church, or at banquets, women are always given the best places, and men behave with deference and respect toward women even of a much lower social status. And where love is concerned, what can I say? Which woman, however low-born, is below men’s notice? Which do they shrink from approaching? Is a man of the highest birth ashamed to consort with a peasant girl or a plebian — with his own servant, even? It is because he senses that these women’s natural superiority compensates for the low status fortune has conferred on them. It’s very different in the case of women: except in some completely exceptional freak cases, you never find a noblewoman falling in love with a man of low estate, and, moreover, it’s rare even to find a woman loving someone (apart from her husband) of the same social status. And that’s why everyone is so amazed when they hear of some transgression on the part of a woman: it’s felt to be a strange and exceptional piece of news (I’m obviously excepting courtesans here), while in the case of men, no one takes any notice, because sin for them is a matter of course and an everyday occurrence that it doesn’t seem remarkable any more. In fact, men’s corruption has reached such a point that when there is a man who is rather better than the others and does not share their bad habits, it is seen as a sign of unmanliness on his part and he is regarded as a fool. Indeed, many men would behave better if it were not for the pressure of custom, but, as things stand, they feel it would be shameful not to be as bad as or worse than their fellows.”

Corinna said: “We’ve already proven that on all counts –ability, dignity, goodness, and a thousand other things– we are their superiors and they our inferiors. So I don’t see any reason why they shouldn’t love us, except for the fact that, as I said before, men are by nature so cold and ungrateful that they cannot even be swayed by the influences of the heavens. Though another factor, as we were saying earlier, is their great envy of our merits: they are fully aware of our worth and they know themselves to be full of flaws that are absent in women. For when men have flaws, women have virtues; and if you need proof, it’s quite obvious that in women you find prudence and gentleness where men have anger; temperance where men have greed; humility in place of pride; continence in place of self-indulgence; peace in place of discord; and love in place of hatred. In fact, to sum up , any given virtue of the soul and mind can be found to a greater degree in women than in men.”

Cornelia exclaimed: “What poor wretches men are not to respect us as they should. We look after their households for them, their goods, their children, their lives — they’re hopeless without us and incapable of getting anything right. Take away that small matter of their earning money and what use are they at all? What would they be like without women to look after them? (And with such devotion) I suppose they’d rely on servants to run their households — and steal their money and reduce them to misery, as so often happens.”

Source: The Worth of Women: their Nobility and Superiority to Men

Petticoat government (1702)

1702_cover“Examine the nature of Petticoat Government and you’ll find small difference or, if any, the Woman excells the man. For the Woman is justly called ‘The Crown of the Creation,’ for if we look into Genesis we shall find that Woman was the last work in the creation and therefore the most perfect and absolute; as we see when artisans make an excellent piece they keep polishing till the last, as being the perfection and crown of it all. But reader, I have only here given some few glances and shadows of the glory and magesty that attends Pettycoats; to know it better you must view our Gracious Queen in Her person and conduct; Her heart is entirely English; she was made purposely for our crown and scepter; Her very looks and countenance would command our allegiance; the very cast of Her eye would sufficiently persuade us that Her authority is just and deserved, that it is a suitable power that is in the mind and meaning of providence and, in a word, is nothing more than God or Nature intended: that women should govern as well as the men… But virtue and greatness are of the perfection and essence of Pettycoat Government, and complete Her Magisties character.

“I am of the opinion that men can boast of no endowments of the mind which Women possess not in as great, if not greater eminency. There has been no age or nation that has not produced some females renown’d for their wisdom and virtue. Which makes me conclude that the conversation of Women is no less useful than pleasant; and that when they govern the men are extremely happy.

“Now it may be necessary that governors should be of good entertainment, affable, open of countenance, and such as seem to harbour no crooked or dark design; thus no men can be so fit for government as Women are. For besides their natural sweetness and innocency, their talk is commonly directed to such things, as it may be easily inferr’d, that their heads are not troubled about making of wars, enlarging of empires, or founding of tyrannies. How few men-prophets do histories afford us in comparison to prophetesses? And, even at this day, who are such absolute followers of priests as women are? If you wish them merciful, these are the tenderest things on earth; they have tears at command, and if tears be the effect of pity and compassion, ans pity and compassion be the mother of virtue, must we not think that mercy rules most in them, and is the soonest obtain’d from them? If you wish affection to the country, where can you better have it? For have not Women many times cut off their hairs to make ropes for engines, and strings for bows?

Thus, were this noble sex restored to that right which nature hath bestowed on it, we have all quiet and serenity in the commonwealths, and courts would not taken up with factions and underminings, but all flow into pleasure and liberty. Withal, we know how necessary it is in every statesman to be master of all the artifices and sleights that may be, to gain upon them he deals with. Now, if any can be fitter for this than Women, I am much deceiv’d: for what by their importunities, glances, trains, sleights, ambushes, and little infidelities, it is as impossible to escape them as it is to go into the fire and not get burnt. For my own part, were I to marry, a good wife should govern both my person and purse, my time and everything; and for this reason a rich Milanois was wont to say that the strings of his purse were never so hard tied that his Betty had no chance tio loose’ em.

We must therefore conclude that as women bring forth children into the world, as they multiply themselves into these visible and corpereal souls, and after they have brought them forth, and most tender and careful to bring them up; so it is most fitting, having such pre-eminencies and indulgences of Nature, that when they are brought up, they should also have a government of them: For a potter would think it hard measure if, after the pitcher were made, it should fly in his face. And (which is no small honour to Petticoat Government) the Woman excelleth the man in respect of the matter of which she was made, which was not dead and vile clay, as man’s was, but a purified substance enliven’d and endu’d with soul, participating in the Divine Mind.

“Thus have I fairly prov’d there is no creature so perfect, no wonder so to be admired as WOMAN: And Ladies, God hath heaped all these graces on your beautiful sex to the end that every creature might stand amazed at you, love and obey you; as we see by experience that incorporeal spirits doat upon Women with most ardent affections – which is such an approved truth that none, I think, would deny it. And if Women were such angels both in body and mind, and Petticoat Government such a particular and extraordinary blessing, (as all must own that we are govern’d by a Queen whose royal virtues exceeds all I have said in praise of her sex) I wonder at the unnatural fancy of such people as would wish we might procreate like trees, as if they were ashamed of the act, without which they had never been capable of such an extravagant thought. Certainly, he that created us, has riveted the Love of Women in the very center of our natures.

“So that ’tis clear from what I’ve said (of the excellency and pre-eminence of Ruling Women) that government is the rudder which steers the great vessel of the State; and that Petticoat Government is the most dextrous handling of that rudder; and for that reason ’tis only WOMEN that are now pray’d for in our churches and chapels viz. Her Perfect Majesty the Queen Dowager and the Princess Sophia.

But i shan’t only confine my essay to Petticoat Government as in respects of the public; for I design a more general essay upon Petticoat Government however dignify’d or distinguished:

1. Then, by Petticoat Government I mean when good women ascend the throne and rule according to law, as is the case of the perfect Queen.
2. Again by Petticoat Government, I mean the descreet and housewifely Ruling of house and family.
3. And lastly, by Petticoat Government, I mean when bad women usurp all authority over their husbands, as is the case with shrews, and such as command, and (perhaps) Beat their husbands, for which there is often a riding, as I shall shew in a variety of instances

“But now, Ladies (except in your own houses) where shall I find any Women so regular as to follow these rules of government? A She-governor thus accomplish’d is like a star with five rays; devotion, modesty, chastity, siscretion, and charity; such women whose whole composition is made up of these, seem to have moulded upon the celestian globes by the hands of cherubims; so excellent are their virtues and so sweet their deportments. They are in their houses as the sun in its proper sphere. Should I attempt to represent their worth, i might sooner find poverty in the center of all the rich ore and precious-stones of the earth, than want of merit in them; but more especially in that Gracious Princess who now governs: And as in former times the tyranny of the Danes was suppress’d by the wisdom and courage of our English Women, so ’tis not doubted but the matchless conduct of our Gracious Queen, will humble the pride of France.

“But to return again to our Private Governess, it must be confess’d that there are many who every day (instead of discreet and housewifely Ruling of their house and family) must be dres’d up like idols as if they intended to be worshipp’d, or at least to govern (as Maintenon does -the tyrant of France) with a look or nod. Their fill de chambre, have more to do in attending their beauties than some have in fitting and rigging out the Navy! Their glass with studied advantages takes up the whole morning, and the afternoon is spent in visits. It was therefore a true saying of one very applicable to this purpose; I know not what may be reserved for the eyes of the chaste husband, when almost thro’ all the matkets where they go, the secret parts of his wife’s body are expos’d, as if they were ready to be delivered to the best bidder.

Ladies, having treated of Petticoat Government as it relates to women in public capacity; and in a private capacity as it relates to the hosewifely ruling of the house and family: I should next treat of Petticoat Government as it relates to bad women who usurp an authority over their husbands (as is the case of shrews, such as command and (perhaps) Beat ’em) but this is intended for a second Pert of Petticoat Government. Thus (Ladies) have I set Petticoat Government in a true light, that the men might see what reason they have to LOVE and OBEY you. ‘Tis true, I have not us’d any gay or painted language, but plain and simple… I have therefore study’d to treat your sex, without the dressing of any artificial handsomeness or auxiliary beauty. If you like it, smile upon it; if not, draw the curtain of your charity over it, and let it lie till some abler pen-man shall take pencil in hand. Or if (Ladies) you’ll condescend too far, as to inrich my poor performance with your Noble Patronage ’tis the greatest preferment I dare expect; for, Court Ladies are incarnate angels, and move in a sphere above me: Yet when I consider that no present, of what value soever, can be suitable to one of your illustrious character, it gives me encouragement to hope this trifle may not be less acceptable to your matchless goodness. But twere profaneness in me any longer to divert with my rude pen, your divine thoughts and precious moments, that are still employed in imploring blessings for your Royal Mistress, and the whole nation. Then seeing the chief thing in greatness, is the power it gives to oblige, I shall presume so far as to subscribe my self:

 

Ladies,

Your Ever Obedient, and

Most Humble Servant,

Post-Angel

God Save the Queen.

Source: Petticoat-Government in a Letter to the Court Lords by the Author of the Post-Angel (1702)

The Spirit of Chivalry, by Sir Walter Scott (1818)

The following excerpts describing gynocentric-chivalry are taken from Sir Walter Scott’s 1818 essay in the volume Essays on Chivalry, Romance, and the Drama

* * *

The main ingredient in the spirit of Chivalry, second in force only to the religious zeal of its professors, and frequently predominating over it, was a devotion to the female sex, and particularly to her whom each knight selected as the chief object of his affection, of a nature so extravagant and unbounded as to approach to a sort of idolatry. The original source of this sentiment is to be found, like that of Chivalry itself, in the Customs and habits of the northern tribes who possessed, even in their rudest state, so many honourable and manly distinctions, over all the other nations in the same stage of society. The chaste and temperate habits of these youth, and the opinion that it was dishonourable to hold sexual intercourse until the twentieth year was attained, was in the highest degree favourable not only to the morals and health of the ancient Germans, but must have contributed greatly to place their females in that dignified and respectable rank which they held in society.
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Amid the various duties of knighthood, that of protecting the female sex, respecting their persons, and redressing their wrongs, becoming the champion of their cause, and the chastiser of those by whom they were injured, was represented as one of the principal objects of the institution. Their oath bound the new-made knights to defend the cause of all women without exception ; and the most pressing way of conjuring them to grant a boon was to implore it in the name of God and the ladies. The cause of a distressed lady was, in many instances, preferable to that even of the country to which the knight belonged. Thus, the Captal de Buche, though an English subject, did not hesitate to unite his troops with those of the Comte de Foix, to relieve the ladies in a French town, where they were besieged and threatened with violence by the insurgent peasantry.

The looks, the words, the sign of a lady, were accounted to- make knights at time of need perform double their usual deeds of strength and valour. At tournaments and in combats, the voices of the ladies were heard like those of the German females in former battles, calling on the knights to remember their fame, and exert themselves to the uttermost. “Think, gentle knights,” was their cry, “upon the wool of your breasts, the nerve of your arms, the love you cherish in your hearts, and do valiantly for ladies behold you.” The corresponding shouts of the combatants were, “Love of ladies! Death of warriors! On, valiant knights, for you fight under fair eyes? Where the honour or love of a lady was at stake, the fairest prize was held out to the victorious knight, and champion from every quarter were sure to hasten to combat in a cause so popular. Chaucer, when he describes the assembly of the knights who came with Arcite and Palemon to fight for the love of the fair Emilie, describes the manners of his age in the following lines;

Codex_Manesse_Heinrich_von_Breslau“For every knight that loved chivalry,
And would his thankes have a passant name,
Hath pray’d that he might ben of that game,
And well was him that thereto chusen was.
For if there fell to-morrow such a case,
Ye knowen well that every lusty knight
That loveth par amour, and hath his might,
Were it in Engellande, or elleswhere,
They wold hir thanked willen to be there.
To fight for a lady! Ah! Benedicite,
It were a lusty sight for to see.”

It is needless to multiply quotations on a subject so trite and well known. The defence of the female sex in general, the regard due to their honour, the subservience paid to their commands, the reverent awe and courtesy, which, in their presence, forbear all unseemly words and actions, were so blended with the institution of Chivalry as to form its very essence. But it was not enough that the “very perfect, gentle knight,” should reverence the fair sex in general. It was essential to his character that he should select, as his proper choice, “a lady and a love,” to be the polar star of his thoughts, the mistress of his affections, and the directress of his actions. In her service, he was to observe the duties of loyalty, faith, secrecy, and reverence. Without such an empress of his heart, a knight, in the phrase of the times, was a ship without a rudder, a horse without a bridle, a sword without a hilt ; a being, in short, devoid of that ruling guidance and intelligence, which ought to inspire his bravery, and direct his actions. The least dishonest thought or action was, according to her doctrine, sufficient to forfeit the chivalrous lover the favour of his lady.

It seems, however, that the greater part of her charge concerning incontinence is levelled against such as haunted the receptacles of open vice ; and that she reserved an exception (of which, in the course of the history, she made liberal use) in favour of the intercourse which, in all love, honour, and secrecy, might take place, when the favoured and faithful knight had obtained, by long service, the boon of amorous mercy from the lady whom he loved par amours.In these extracts are painted the actual manners of the age of Chivalry. The necessity of the perfect knight having a mistress, whom he loved par amours, the duty of dedicating his time to obey her commands, however capricious, and his strength to execute extravagant feats of valour, which might redound to her praise, –for all that was done for her sake, and under her auspices, was counted her merit, as the victories of their generals were ascribed to the Roman Emperors— was not a whit less necessary to complete the character of a good knight.

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Fotor091415394On such occasions, the favoured knight, as he wore the colours and badge of the lady of his affections, usually exerted his ingenuity in inventing some device or cognisance which might express their love, either openly, as boasting of it in the eye of the world, or in such mysterious mode of indication as should only be understood by the beloved person if circumstances did not permit an avowal of his passion. The ladies, bound as they were in honour to requite the passion of their knights, were wont, on such occasions, to dignify them by the present of a scarf, ribbon, or glove, which was to be worn in the press of battle and tournament. These marks of favour they displayed on their helmets, and they were accounted the best incentives to deeds of valour. The custom appears to have prevailed in France to a late period, though polluted with the grossness so often mixed with the affected refinement and gallantry of that nation.

Sometimes the ladies, in conferring these tokens of their favour, saddled the knights with the most extravagant and severe conditions. But the lover had his advantage in such cases, that if he ventured to vencounter the hazard imposed, and chanced to survive it, he had, according to the fashion of the age, the right of exacting, from the lady, favours corresponding in importance.

The annals of Chivalry abound with stories of cruel and cold fair ones, who subjected their lovers to extremes of danger, in hopes that they might get rid of their addresses, but were, upon their unexpected success, caught in their own snare, and, as ladies who would not have their name made the theme of reproach by every minstrel, were compelled to recompense the deeds which their champion had achieved in their name. Lady's shiftThere are instances in which the lover used his right of reprisals with some rigour, as in the well-known fabliau of the three knights and the shift; in which a lady proposes to her three lovers, successively, the task of entering, unarmed, into the mêlée of a tournament, arrayed only in one of her shift. The perilous proposal is declined by two of the knights and accepted by the third, who thrusts himself, in the unprotected state required, into all the hazards of the tournament, sustains many wounds, and carries off the prize of the day.

On the next day the husband of the lady (for she was married) was to give a superb banquet to the knights and nobles who had attended the tourney. The wounded victor sends the shift back to its owner, with his request, that she would wear it over her rich dress on this solemn occasion, soiled and torn as it was, and stained all over with the blood of its late wearer. The lady did not hesitate to comply, declaring, that she regarded this shift, stained with the blood of her “fair friend, as more precious than if it were of the most costly materials.” Jaques de Basin, the minstrel who relates this curious tale, is at a loss to say whether the palm of true love should be given to the knight or to the lady on this remarkable occasion. The husband, he assures us, had the good sense to seem to perceive nothing uncommon in the singular vestment with which his lady was attired, and the rest of the good company highly admired her courageous requital of the knight’s gallantry. It was the especial pride of each distinguished champion, to maintain, against all others, the superior worth, beauty, and accomplishments of his lady; to bear her picture from court to court, and support, with lance and sword, her superiority to all other dames, abroad or at home. To break a spear for the love of their ladies, was a challenge courteously given, and gently accepted, among all true followers of Chivalry, and history and romance are alike filled with the tilts and tournaments which took place upon this argument, which was ever ready and ever acceptable. Indeed, whatever the subject of the tournament had been, the lists were never closed until a solemn course had been made in honour of the ladies.

There were knights yet more adventurous, who sought to distinguish themselves by singular and uncommon feats of arms in honour of their mistresses; and such was usually the cause of the whimsical and extravagant vows of arms which we have subsequently to notice. To combat against extravagant odds, to fight amid the press of armed knights without some essential part of their armour, to do some deed of audacious valour in face of friend and foe, were the services by which the knights strove to recommend themselves, or which their mistresses (very justly so called) imposed on them as proofs of their affection.

438px-Codex_Manesse_(Herzog)_von_AnhaltSometimes the patience of the lover was worn out by the cold-hearted vanity which thrust him on such perilous enterprises. At the court of one of the German emperors, while some ladies and gallants of the court were looking into a den where two lions were confined, one of them purposely let her glove fall within the palisade which enclosed the animals, and commanded her lover, as a true knight, to fetch it out to her. He did not hesitate to obey, jumped over the enclosure ; threw his mantle towards the animals as they sprung at him; snatched up the glove, and regained the outside of the palisade. But when in safety, he proclaimed aloud, that what he had achieved was done for the sake of his own reputation, and not for that of a false lady, who could, for her sport and cold-blooded vanity, force a brave man on a duel so desperate. And, with the applause of all that were present, renounced her love for ever. This, however, was an uncommon circumstance. In general, the lady was supposed to have her lover’s character as much at heart as her own, and to mean by pushing him upon enterprises of hazard give him an opportunity of meriting her good graces, which she could not with honour confer upon one undistinguished by deeds of chivalry.

Source:Essays on Chivalry, Romance, and the Drama, by Sir Walter Scott

Chivalry for love (1774)

The following excerpts are from chapter one of ‘On The Origin of Romantic Fiction in Europe‘ (1774). – PW

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Chivalry tornament joust 

“At the ideal coronation of king Arthur, just mentioned, a tournament is described as exhibited in its highest splendor.

‘Many knights, says our Armoric fabler, famous for feats of chivalry, were present, with apparel and arms of the same colour and fashion. They formed a species of diversion, in imitation of a fight on horseback, and the ladies being placed on the walls of the castles, darted amorous glances on the combatants. None of these ladies esteemed any knight worthy of her love unless he had given proof of his gallantry in three fevered encounters. Thus the valour of the men encouraged chastity in the women, and the attention of the women proved an incentive to the soldier’s bravery’

Here is the practice of chivalry under the combined ideas of love and military prowess, as they seem to have subsisted after the feudal constitution had acquired greater degrees not only of stability but of splendor and refinement.

“And hence, even in time of peace, they had no conception of any diversions or public ceremonies, except of the military kind. Yet, as the courts of these petty princes were thronged with ladies of the most eminent distinction and quality, the ruling passion for war was tempered with courtesy.

The prize of contending champions was adjudged by the ladies; who did not think it inconsistent to be present or to preside at the bloody spectacles of the times ; and who, themselves, seem to have contracted an unnatural and unbecoming ferocity, while they softened the manners of those valorous knights who fought for their approbation.

The high notions of a noble descent, which arose from the condition of the feudal constitution, and the ambition of forming an alliance with powerful and opulent families, cherished this romantic system. It was hard to obtain the fair feudatary, who was the object of universal adoration. Not only the splendor of birth, but the magnificent castle surrounded with embattled walls, guarded with massive towers, and crowned with lofty pinnacles, served to inflame the imagination, and to create an attachment to some illustrious heiress, whose point of honour it was to be chaste and inaccessible.

And the difficulty of success on these occasions, seems in great measure to have given rife to that sentimental love of romance, which acquiesced in a distant respectful admiration, and did not aspire to possession… Chivalry by degrees was consecrated by religion, whose authority tinctured every passion, and was engrafted into every institution, of the superstitious ages ; and at length composed that familiar picture of manners, in which the love of a god and of the ladies were reconciled, the saint and the hero were blended, and charity and revenge, zeal and gallantry, devotion and valour, were united.

“But the principal subject of the poems, dictated in great measure by the spirit of chivalry, was love: especially among the troubadours of rank and distinction, whose castles being crowded with ladies, presented perpetual scenes of the most splendid gallantry. This passion they spiritualifed into various metaphysical refinements, and filled it with abstracted notions of visionary perfection and felicity.

Lucrezia Marinella: gynocentrism in 1600

Lucrezia Marinella
Lucrezia Marinella (c.1571-1653) was a Venetian author and early advocate of gynocentric feminism. She describes gender relations in Europe as based on males acting as “servants,” “subjects,” “beasts of burden,” or “butlers” toward women who are universally viewed as men’s superiors.

The following excerpts are from her book The Nobility and Excellence of Women and the Defects and Vices of Men:

THE REASONS FOR MEN’S NOBLE TREATMENT OF WOMEN AND THE THINGS THEY SAY ABOUT WOMEN

“Even though men upbraid and defame the female sex each day in garrulous and biting language, and search in every possible way to obscure the noble actions of women, they are forced in spite of themselves, by consciences that are governed by truth, to honor worthy women and praise them to the skies. They do this in words and in writings that demonstrate women’s superiority beyond any doubt. We see constantly and in every place and occasion that women are honored by men. That is why men bow to them and make way for them when walking, why they raise their hats to them and wait on them at the table like servants, accompany them bareheaded in the streets, and give up their seats to them. These obvious signs of honor are performed toward women not merely by low, plebeian men but also by dukes and kings, who raise their hats whether greeting princesses or ladies of mediocre condition.

It may be superfluous, but I will give two examples of these princes. The first is the King of France, who honors every lady with bows and salutations; the second the King of Spain, who, though extremely powerful, raises his cap or hat on meeting a noblewoman, which is something he would not do to any male subject, even if he were a prince. Uncovering the head, standing up, and giving way are undoubtedly signs and proofs of honor, and since they are signs of honor, women must be nobler than the men who honor them, because the object of such honor is always more nobler than the person who honors them.

Nobody honors another person unless they know that the person has some gift or quality that is superior to his own… It is necessary therefore to conclude that women are nobler than men because they are honored by men. Further indications of honor are the ornaments bestowed on women, who are permitted to dress themselves in purple and cloth of gold with diverse embroideries decorated with pearls and diamonds, and to adorn their heads with pretty gold ornaments and finest enamel and precious stones. These things are forbidden to men, apart from rulers. If any other man dared to dress himself in cloth of gold or such like, he would be mocked and pointed out as light-minded or a downright buffoon.

“In Germany, where men are not permitted any sort of festive attire unless they are noble, every little woman adorns herself with festive drapes and different types of necklace, as is the habit all over the world. Women are honored everywhere with the use of ornaments that greatly surpass men’s, as can be observed. It is a marvelous sight in our city to see the wife of a shoemaker or butcher or even a porter all dressed up with gold chains round her neck, with pearls and valuable rings on her fingers, accompanied by a pair of women on either side to assist her and give her a hand, and then, by contrast, to see her husband cutting up meat all soiled with ox’s blood and down at heel, or loaded up like a beast of burden dressed in rough cloth, as porters are.

At first it may seem an astonishing anomaly to see the wife dressed like a lady and the husband so basely that he often appears to be her servant or butler, but if we consider the matter properly, we find it reasonable because it is necessary for a woman, even if she is humble and low, to be ornamented in this way because of her natural dignity and excellence, and for the man to be less so, like a servant or beast born to serve her.

As well as in the ways already narrated, women have been honored by men with great and eminent titles that are used by them continually, being commonly referred to as donne, for, as was demonstrated in the first chapter, the name donna means lady and mistress. When men refer to women thus, they honor them, though they may not intend to, by calling them ladies, even if they are humble and of a lowly disposition. In truth, to express the nobility of this sex men could not find a more appropriate and fitting name than donna, which immediately shows women’s superiority and precedence over men, because by calling women mistress they show themselves of necessity to be subjects and servants.

“Women’s nobility and excellence is recognized by the French and Spanish more than by the Italians. In these countries they are allowed to inherit estates, succeeding not only to dukedoms but to principalities exactly as men do. Not only to principalities, but to the monarchy itself, like the sister of the King of Spain, who was able to ascend to the monarchy, as well as have dominion over numerous other principalities.

Women who inherit estates can be seen every day in France and England. The Germans too recognize women’s superiority. The women there conduct all the business dealings and mercantile transactions in the cities while the men remain at the stoves. This also occurs in Flanders and in France. In France men may not spend even a centime unless at the request of their wives, and women not only administrate business dealings and sales but private income as well. What do you think? Are not women, as I have proved, known by men to be nobler than them, seeing that they confess it with their own mouths? What more is there for me to say?”